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. Some of the quartettes, with accompaniments of harps and wind instruments, were indescribably beautiful. The Archbishop of Paris made an elegant little address, in which he spoke of art in Pagan and in Christian days, and of its mission in the present; and winding up with an appeal to the liberality of his hearers on behalf of the charitable idea which had prompted this performance. The Archbishop is a man of mild and grave countenance, but his dress was very inharmonious. He wore a surplice of very rich lace, a cape of violet silk, and a scarf richly embroidered in gold, which was all very pretty, but his arms and hands were encased in sleeves, finished with gloves, of scarlet cloth, which showed through the lace sleeves of the surplice, and gave the hands a very frightful appearance. He wore a little round cap on the top of his head, a golden crucifix on his bosom, and an enormous gold ring on his right hand. He spoke very slowly, screaming rather than speaking, in order to make himself heard in the distant parts of the building. The service lasted two hours, and yielded several thousand francs. The Duchess of Narbonne, famed for her benevolence, was so desirous to aid on this occasion, that though unable, on account of her great age, to go among the crowd _making the guest_, as it is termed, she held a bag at one of the great doors, adding to the sum she thus received, a thousand francs as her own contribution, and a hundred francs for her chair, for which the ordinary price is two sous. The musicians are not alone in their preparations for winter. The shopkeepers are just beginning the periodic display which betokens the coming on of the holidays: and conspicuous among the novelties whose appearance thus indicate the approach of Christmas, is a new style of porcelain, of English invention, which imitates with great success the antique marble vases, pitchers, &c., of classic days. Many of these objects are of great beauty; the creamy hue of the ware itself, slightly translucent, the graceful simplicity of their forms, and the delicate mouldings of classical designs in bass-relief with which they are adorned, producing an admirable effect, highly creditable to English taste. While modern art is thus successfully emulating the symmetrical achievements of ancient times, a relic of great interest, recalling the romantic age of Spanish history, has just been unexpectedly brought to light. Some workmen, employed
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