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* * * * * Almanacs for popular use, offer a means much used in France for the propagation of political, social and religious doctrines. Every sect and party issues its Almanac, and some issue several, crammed to the brim with the peculiar notions whose dissemination is wished for. One of the most successful for the year 1851, is the _Almanach des Opprimes_ (The Almanac of the Oppressed). In fact, it is aimed wholly at the Society of Jesuits, whose history it exposes in the blackest colors. It begins with the early life of Loyola, depicts his debaucheries, his ambition, the religious mechanism invented by his enthusiastic and fanatical genius, the flexibility of his morality, and goes on to give an account of the intrigues and crimes of his successors in various countries and times, with an analysis of their books, their missions and their miracles. Another of these publications is called the _Almanach du Peuple_, containing a very great variety of articles of substantial value. Among the contributors are, F. Arago, Quinet, Charras, Carnot, Girardin, George Sand, Pierre Leroux, Dumil Aeur, E. Lithe, Mazzini, and other republicans distinguished in the political, literary and scientific world. This Almanac had the honor last year of being seized by the Government, but on trial before a jury it was acquitted of the charge against it, of being dangerous to society, and provoking citizens to hate the republic and despise the authorities. * * * * * A critic in the _Allegemeine Zeitung_, in noticing "Ottomar, a Romance from the Present Time," the last novel from the pen of Madame Von Zoellner, takes occasion to give some hard hits at women's novels in general. "It always must and always will be a failure," he says, "when a woman attempts to form a just conception of masculine character, and to put her conception into language. Female writers always comb out smoothly the flaxen hair of their heroes, and dress them up in the frockcoat of innocence. They go into raptures over a sort of green enthusiasm, and a romantic fantasticality of virtue, such as we godless fellows are not guilty of possessing; and in this way they turn out automatons which resemble nothing in earth, heaven, or elsewhere." The critic however admits that Madame Zoellner, who is undoubtedly one of the best living German novel writers, possesses remarkable and peculiar merits. No other woman occupies
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