FREE BOOKS

Author's List




PREV.   NEXT  
|<   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92  
93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   >>   >|  
possesses a memory so good, that if he has only once observed a natural object, a second inspection does not show him something that he has forgotten. Almost all, if not all, our memories are therefore sketches, rather than portraits, of the originals--the salient features are obvious, while the subordinate characters are obscure or unrepresented. Now, when several complex impressions which are more or less different from one another--let us say that out of ten impressions in each, six are the same in all, and four are different from all the rest--are successively presented to the mind, it is easy to see what must be the nature of the result. The repetition of the six similar impressions will strengthen the six corresponding elements of the complex idea, which will therefore acquire greater vividness; while the four differing impressions of each will not only acquire no greater strength than they had at first, but, in accordance with the law of association, they will all tend to appear at once, and will thus neutralise one another. This mental operation may be rendered comprehensible by considering what takes place in the formation of compound photographs--when the images of the faces of six sitters, for example, are each received on the same photographic plate, for a sixth of the time requisite to take one portrait. The final result is that all those points in which the six faces agree are brought out strongly, while all those in which they differ are left vague; and thus what may be termed a _generic_ portrait of the six, in contradistinction to a _specific_ portrait of any one, is produced. Thus our ideas of single complex impressions are incomplete in one way, and those of numerous, more or less similar, complex impressions are incomplete in another way; that is to say, they are _generic_, not _specific_. And hence it follows, that our ideas of the impressions in question are not, in the strict sense of the word, copies of those impressions; while, at the same time, they may exist in the mind independently of language. The generic ideas which are formed from several similar, but not identical, complex experiences are what are commonly called _abstract_ or _general_ ideas; and Berkeley endeavoured to prove that all general ideas are nothing but particular ideas annexed to a certain term, which gives them a more extensive signification, and makes them recall, upon occasion, other individuals which are similar
PREV.   NEXT  
|<   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92  
93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   >>   >|  



Top keywords:

impressions

 
complex
 
similar
 

generic

 
portrait
 
greater
 
result
 

acquire

 

incomplete

 

specific


general
 

differ

 

strongly

 

points

 
brought
 
recall
 

contradistinction

 

termed

 

copies

 
photographic

received
 

sitters

 

individuals

 

occasion

 
requisite
 

formed

 

Berkeley

 
endeavoured
 

question

 
commonly

experiences
 

called

 

abstract

 

strict

 

language

 
numerous
 

independently

 

single

 

produced

 
signification

extensive

 

annexed

 

identical

 

strength

 
features
 

obvious

 

subordinate

 
salient
 

originals

 

portraits