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n the canvas by clever men who have learnt this trade. As for how a story may be told on canvas, the way in which the conception of the artist has been executed, the truth of the drawing, the fidelity of colouring--on these points no questions are asked and no curiosity is expressed. Why should they? Painting they regard as one of the arts which may be learned for a trade, like matchmaking or shoemaking. Remember that it never occurs to people to learn the mysteries of any trade beside their own. On my last visit to this museum, for instance, I chanced upon two women who were standing before a vase. It was a large and very beautiful vase, of admirable form and proportions, and it was decorated on the top by a group representing three captives chained to the rock. Their comment on this work of art was as follows: 'Look,' said one, 'look at those poor men chained to the rock.' 'Yes,' replied the other, 'poor fellows! ain't it shocking?' To their eyes the only thing to be looked at was the group of figures, and the only suggestion made to their minds by the vase related to the story, thus half told, of the captives. As for the vase itself, it was nothing; the workmanship and painting were nothing; the sculpturing of the figures was nothing. It is constantly argued that the mere contemplation of things beautiful creates this artistic sense--the sense of beauty. This is undoubtedly true if one were to dwell entirely among beautiful things. But how if for one thing which is beautiful you are made to contemplate a hundred which are not? Suppose you offer a girl of untrained eye a choice of costumes, of which one is artistic and the rest are all hideous, how can you expect her to know the one--the only one--which she sought to choose? Or, again, if you allow a boy to read and learn as much bad poetry as good, what can you expect of his standard of taste? In other words, when the surroundings of life are wholly without Art, an occasional visit to a collection of paintings cannot create an intelligent appreciation of Art. Again, there are many branches and diverse forms or Art. For Instance, there is music, there is singing there is acting, there is sculpture, poetry, fiction; and besides these there are working in metals, engraving in wood and copper, leather work, brass work, fret work, and decoration. None of these arts are illustrated and recognised in the Bethnal Green Museum, Yet, when we speak of the spreading of Art
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