hat
the caprices of a coquette produce upon a very young admirer. She grew
anxious, she wanted to find out the reason, and finally found some
explanation or excuse for him that coincided with her fancies.

The thing that reassured her in such cases was her picture. If she could
seem to him as beautiful as he had made her look on canvas she was sure
that he must love her.

"Is this really I? Are you sure?" she said to Marien with a laugh of
delight. "It seems to me that you have made me too handsome."

"I have hardly done you justice," he replied. "It is not my fault if
you are more beautiful than seems natural, like the beauties in the
keepsakes. By the way, I hold those English things in horror. What do
you say of them?"

Then Jacqueline undertook to defend the keepsake beauties with
animation, declaring that no one but a hopelessly realistic painter
would refuse to do justice to those charming monstrosities.

"Good heavens!" thought Marien, "if she is adding a quick wit to her
other charms--that will put the finishing stroke to me."

When the portrait was sufficiently advanced, M. de Nailles came to the
studio to judge of the likeness. He was delighted: "Only, my friend, I
think," he cried to Marien, endeavoring to soften his one objection
to the picture, "that you have given her a look--how can I put it?--an
expression very charming no doubt, but which is not that of
a child of her age. You know what I mean. It is something
tender--intense--profound, too feminine. It may come to her some day,
perhaps--but hitherto Jacqueline's expression has been generally that of
a merry, mischievous child."

"Oh, papa!" cried the young girl, stung by the insult.

"You may possibly be right," Marien hastened to reply, "it was probably
the fatigue of posing that gave her that expression."

"Oh!" repeated Jacqueline, more shocked than ever.

"I can alter it," said the painter, much amused by her extreme despair.
But Marien thought that Jacqueline had not in the least that precocious
air which her father attributed to her, when standing before him she
gave herself up to thoughts the current of which he followed easily,
watching on her candid face its changes of expression. How could he
have painted her other than she appeared to him? Was what he saw an
apparition--or was it a work of magic?

Several times during the sittings M. de Nailles made his appearance
in the studio, and after greatly praising the work, persisted in