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t; storing itself up for the future; penetrating, like the joy of a fine day, into our animal spirits, altering pulse, breath, gait, glance and demeanour; and transfiguring our whole momentary outlook on life. But, superficial or overwhelming, _this hind of satisfaction connected with, the word Beautiful is always of the Contemplative order._ And upon the fact we have thus formulated depend, as we shall see, most of the other facts and formulae of our subject. This essentially unpractical attitude accompanying the use of the word _Beautiful_ has led metaphysical aestheticians to two famous, and I think, quite misleading theories. The first of these defines aesthetic appreciation as _disinterested interest,_ gratuitously identifying self-interest with the practical pursuit of advantages we have not yet got; and overlooking the fact that such appreciation implies enjoyment and is so far the very reverse of disinterested. The second philosophical theory (originally Schiller's, and revived by Herbert Spencer) takes advantage of the non-practical attitude connected with the word _Beautiful_ to define art and its enjoyment as a kind of _play._ Now although leisure and freedom from cares are necessary both for play and for aesthetic appreciation, the latter differs essentially from the former by its contemplative nature. For although it may be possible to watch _other people_ playing football or chess or bridge in a purely contemplative spirit and with the deepest admiration, even as the engineer or surgeon may contemplate the perfections of a machine or an operation, yet the concentration on the aim and the next moves constitutes on the part of the players _themselves_ an eminently practical state of mind, one diametrically opposed to contemplation, as I hope to make evident in the next section. CHAPTER II CONTEMPLATIVE SATISFACTION WE have thus defined the word _Beautiful_ as implying an attitude of contemplative satisfaction, marked by a feeling, sometimes amounting to an _emotion,_ of admiration; and so far contrasted it with the practical attitude implied by the word _good._ But we require to know more about the distinctive peculiarities of contemplation as such, by which, moreover, it is distinguished not merely from the practical attitude, but also from the scientific one. Let us get some rough and ready notions on this subject by watching the behaviour and listening to the remarks of three imaginary
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