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ew all about Arthur Welby; his name and fame were in all the studios. The author of the picture of the year--in the opinion, at least, of the cultivated minority for whom rails and policemen were not the final arbiters of merit; glorified in the speeches at the Academy banquet; and already overwhelmed with more commissions than he could take--Welby should have been one of the best hated of men. On the contrary, his mere temperament had drawn the teeth of that wild beast, Success. Well-born, rich, a social favourite, trained in Paris and Italy, an archaeologist and student as well as a painter, he commanded the world as he pleased. Society asked him to dinners, and he gave himself no professional airs and went when he could. But among his fellows he lived a happy comrade's life, spending his gifts and his knowledge without reserve, always ready to help a man in a tight place, to praise a friend's picture, to take up a friend's quarrel. He took his talent and his good-fortune so simply that the world must needs insist upon them, instead of contesting them. As for his pictures, they were based on the Italian tradition--rich, accurate, learned, full of literary allusion and reminiscence. In Fenwick's eyes, young as was their author, they were of the past rather than of the future. He contemptuously thought of them as belonging to a dead _genre_. But the man who painted them could _draw_. Meanwhile he seemed to have lost Madame de Pastourelles, and must needs fall back on the private secretary beside him. This gentleman, who had already entered him on the tablets of the mind as a mannerless outsider, was not particularly communicative. But at least Fenwick learned the names of the other guests. The well-known Ambassador beside Lady Findon, with a shrewd, thin, sulky face, and very black eyes under whitish hair--eyes turned much more frequently on the pretty actress to his right than upon his hostess; a financier opposite, much concerned with great colonial projects; the Cabinet Minister--of no account, it seemed, either in the House or the Cabinet--and his wife, abnormally thin, and far too discreet for the importance of her husband's position; a little farther, the wife of the red-haired Academician, a pale, frightened creature who looked like her husband's apology, and was in truth his slave;--all these he learned gradually to discriminate. So this was the great world. He was stormily pleased to be in it, and at th
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