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should like to know the text of a certain Chinese official recognition of sundry butterflies as the spirits of an Emperor and of his attendants... Most of the Japanese literature about butterflies, excepting some poetry, appears to be of Chinese origin; and even that old national aesthetic feeling on the subject, which found such delightful expression in Japanese art and song and custom, may have been first developed under Chinese teaching. Chinese precedent doubtless explains why Japanese poets and painters chose so often for their geimyo, or professional appellations, such names as Chomu ("Butterfly-Dream)," Icho ("Solitary Butterfly)," etc. And even to this day such geimyo as Chohana ("Butterfly-Blossom"), Chokichi ("Butterfly-Luck"), or Chonosuke ("Butterfly-Help"), are affected by dancing-girls. Besides artistic names having reference to butterflies, there are still in use real personal names (yobina) of this kind,--such as Kocho, or Cho, meaning "Butterfly." They are borne by women only, as a rule,--though there are some strange exceptions... And here I may mention that, in the province of Mutsu, there still exists the curious old custom of calling the youngest daughter in a family Tekona,--which quaint word, obsolete elsewhere, signifies in Mutsu dialect a butterfly. In classic time this word signified also a beautiful woman... It is possible also that some weird Japanese beliefs about butterflies are of Chinese derivation; but these beliefs might be older than China herself. The most interesting one, I think, is that the soul of a living person may wander about in the form of a butterfly. Some pretty fancies have been evolved out of this belief,--such as the notion that if a butterfly enters your guest-room and perches behind the bamboo screen, the person whom you most love is coming to see you. That a butterfly may be the spirit of somebody is not a reason for being afraid of it. Nevertheless there are times when even butterflies can inspire fear by appearing in prodigious numbers; and Japanese history records such an event. When Taira-no-Masakado was secretly preparing for his famous revolt, there appeared in Kyoto so vast a swarm of butterflies that the people were frightened,--thinking the apparition to be a portent of coming evil... Perhaps those butterflies were supposed to be the spirits of the thousands doomed to perish in battle, and agitated on the eve of war by some mysterious premonition of de
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