tions about the artist.= Tell about Sir Joshua Reynolds's studio.
Why did children like to visit him? How did he wish them to dress?
why? Tell about his father and the boot. Was Sir Joshua Reynolds rich
or poor? When he was away from home, learning to paint, what did he
write to his father? Tell about Admiral Keppel and his picture.
THE RETURN TO THE FARM
=Original Picture:= The Louvre (l[=oo]'vr'), Paris, France.
=Artist:= Constant Troyon (trwae'yon'')
=Birthplace:= Sevres (Sa''vr'), France.
=Dates:= Born, 1810; died, 1865.
=Questions to arouse interest.= What do you see in this picture? Where
are the animals going? Where do you think they have been? Who is
driving them? What time of day do you think it is? Do you think it is
a warm or a cold day? why? Which is the leader of the sheep? Notice
the knees of the animals. What do they show? Where is the donkey? Why
does the dog seem so anxious? From what direction are the animals
coming? See if you can find any two sheep just alike. What can you see
in the distance? Where is the shady part in the picture? Do you like
this picture?
=The story of the picture.= It is at the close of day; the cows, the
sheep, and the donkey have been out in the pasture all day, and when
the dog and his master came for them they were ready to start for home.
We can hardly see the man in the picture. He is walking along the
river bank farther back. Perhaps he is walking slowly so as to give
the cows time to wade out into that cool little pond, where they can
drink and refresh themselves. But the dog feels that he must look
after them, so he tries his best to keep them out of the water. That
one dark cow has just about made up her mind to follow the others into
the water, and the dog is barking at her, trying to persuade her not
to go. The cow just leaving the water turns around to call the rest,
half wishing to go back herself. When the man comes along they will
know it is time for them to be on their way again.
The dog has an anxious time of it, for he never knows when the sheep,
too, may see a green field and start away from the road in spite of
him. Even now one is looking away from the leader.
The donkey seems to be following along very quietly. It may be that
the man has stayed behind to look after him, or perhaps there are more
cattle coming around the curve in the road, or stopping to rest in the
deep shade of those heavy trees.
This picture was painted
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