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emarked a new building which he had never seen, and asked what it was designed for? Dr. Kingsbury answered, "That, Mr. Dean, is the magazine for arms and powder, for the security of the city." "Oh! oh!" says the dean, pulling out his pocket-book, "let me take an item of that. This is worth remarking; my tablets, as Hamlet says, my tablets--memory, put down that." He then produced the following lines, being the last he ever wrote: Behold! a proof of Irish sense! Here Irish wit is seen, When nothing's left for our defence, We build a magazine. The Dean then put up his pocket-book, laughing heartily at the conceit, and clenching it with, "After the steed's stolen, shut the stable door." JOHN PHILPOT CURRAN. HIS BIRTH John Philpot Curran was born at Newmarket, a small village in the county of Cork, on the 24th of July, 1750. His father, James Curran, was seneschal of the manor, and possessed of a very moderate income. His mother was a very extraordinary woman. Eloquent and witty, she was the delight of her neighbors, and their chronicle and arbitress. Her stories were of the olden time, and made their way to the hearts of the people, who delighted in her wit and the truly national humor of her character. Little Curran used to hang with ecstasy upon his mother's accents, used to repeat her tales and her jests, and caught up her enthusiasm. After her death, he erected a monument over her remains, upon which the following memorial was inscribed:-- "Here lieth all that was mortal of Martha Curran--a woman of many virtues, few foibles, great talents, and no vice. This tablet was inscribed to her memory by a son who loved her, and whom she loved." CURRAN AS PUNCH'S MAN. Curran's first effort in public commenced when a boy in the droll character of Mr. Punch's man. It occurred in this way: One of the puppet-shows known as "Punch and Judy," arrived at Newmarket, to the great gratification of the neighborhood. Young Curran was an attentive listener at every exhibition of the show. At length, Mr. Punch's man fell ill, and immediately ruin threatened the establishment. Curran, who had devoured all the man's eloquence, offered himself to the manager as Mr. Punch's man. His services were gladly accepted, and his success so complete, that crowds attended every performance, and Mr. Punch's new man became the theme of universal panegyric. CURRAN AT A DEBATING SOCIETY. Curran's accou
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