ish
Catholics, during the celebrated _Blue Book_ Controversy. One of the
individuals who was expected to advocate the objectionable designation
of "protesting Catholic dissenters," an appellation equally ludicrous
and unnecessary, was remarkable for an affected mode of public speaking.
What in dress is termed _foppish_, would be appropriate as applied to
his oratory. He was no admirer of O'Leary, and the feeling of dislike
was as mutual as could well be conceived. Him, therefore, O'Leary
selected as the opponent with whom he meant to grapple. Those to whom
he communicated his intention, and who knew his powers, looked forward
with expectation "on tiptoe" for a scene of enjoyment that no
anticipation could exaggerate. Disappointment was, however, their lot.
The meeting passed over quietly, and neither the objectionable matter
nor speaker was brought forward. However much his friends regretted this
circumstance, O'Leary was himself sincerely pleased; for he never
desired to give unnecessary pain. The gentlemen in concert with whom he
acted, dined together after the meeting, and the conversation happening
to turn on the disappointment which they had experienced in the result
of the debate, one of them who knew O'Leary intimately, inquired what
line of argument he had intended to pursue, if the meeting had assumed
the objectionable aspect which was dreaded--this was applying the torch
to gunpowder: he commenced an exhibition of the ludicrous so like what
would have taken place, so true in manner and matter to what every one
who knew the parties could anticipate, that the assemblage was convulsed
with laughter to a degree that made it memorable in the recollections of
all who witnessed it."
HIS PERSON AND MODE OF ARGUMENT.
Mr. Butler, in his Historical Memoirs, describes O'Leary's person and
mode of argument thus:--
"The appearance of Father O'Leary was simple. In his countenance there
was a mixture of goodness, solemnity, and drollery, which fixed every
eye that beheld it. No one was more generally loved or revered; no one
less assuming or more pleasing in his manner. Seeing his external
simplicity, persons with whom he was arguing were sometimes tempted to
treat him cavalierly; but then the solemnity with which he would mystify
his adversary, and ultimately lead him into the most distressing
absurdity was one of the most delightful scenes that conversation ever
exhibited."
O'LEARY AND "CAPTAIN ROCK."
In Tom
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