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ish Catholics, during the celebrated _Blue Book_ Controversy. One of the individuals who was expected to advocate the objectionable designation of "protesting Catholic dissenters," an appellation equally ludicrous and unnecessary, was remarkable for an affected mode of public speaking. What in dress is termed _foppish_, would be appropriate as applied to his oratory. He was no admirer of O'Leary, and the feeling of dislike was as mutual as could well be conceived. Him, therefore, O'Leary selected as the opponent with whom he meant to grapple. Those to whom he communicated his intention, and who knew his powers, looked forward with expectation "on tiptoe" for a scene of enjoyment that no anticipation could exaggerate. Disappointment was, however, their lot. The meeting passed over quietly, and neither the objectionable matter nor speaker was brought forward. However much his friends regretted this circumstance, O'Leary was himself sincerely pleased; for he never desired to give unnecessary pain. The gentlemen in concert with whom he acted, dined together after the meeting, and the conversation happening to turn on the disappointment which they had experienced in the result of the debate, one of them who knew O'Leary intimately, inquired what line of argument he had intended to pursue, if the meeting had assumed the objectionable aspect which was dreaded--this was applying the torch to gunpowder: he commenced an exhibition of the ludicrous so like what would have taken place, so true in manner and matter to what every one who knew the parties could anticipate, that the assemblage was convulsed with laughter to a degree that made it memorable in the recollections of all who witnessed it." HIS PERSON AND MODE OF ARGUMENT. Mr. Butler, in his Historical Memoirs, describes O'Leary's person and mode of argument thus:-- "The appearance of Father O'Leary was simple. In his countenance there was a mixture of goodness, solemnity, and drollery, which fixed every eye that beheld it. No one was more generally loved or revered; no one less assuming or more pleasing in his manner. Seeing his external simplicity, persons with whom he was arguing were sometimes tempted to treat him cavalierly; but then the solemnity with which he would mystify his adversary, and ultimately lead him into the most distressing absurdity was one of the most delightful scenes that conversation ever exhibited." O'LEARY AND "CAPTAIN ROCK." In Tom
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