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te that no other person under the same circumstances would have distributed the tenth part. Yet had I been utterly unsuccessful, it would have been wrong to charge me with being so, after all I have undergone--and with how little of that are you acquainted." {140} If Borrow had been as revengeful as Dr. Knapp believed him, he would not have allowed Brandram to escape an immortality of hate in "Lavengro" or "The Romany Rye." Borrow irritated the Spanish Government yet a little more by issuing his Gypsy "Luke," and in May, 1838, he was illegally imprisoned in the _Carcel de Corte_, where he insisted upon staying until he was set free with honour and the payment of his expenses. He vindicated his position by a letter to a newspaper, pointing out that his Society was neither sectarian nor political, and that he was their sole authorised agent. This led directly to the breaking of his connection with the Bible Society, who reprimanded him for his letter and virtually recalled him from Spain. Nevertheless Borrow made a series of excursions into the country to sell his Testaments, until in August he was definitely recalled. He returned to England, as he says himself, for "change of scene and air" after an attack of fever. He obtained a new lease from the Bible Society and was back in Spain at the end of 1838. Early in 1839 he made further excursions with Antonio Lopez to sell his Testaments, until he had to stop. Thereupon he went to Seville. He was still forming plans on behalf of the Society. He wished to go to La Mancha, the worst part of Spain, then through Saragossa and into France. At Seville it was, in May, 1839, that Colonel Napier met him. Nobody knew who, or of what nationality, he was--this "mysterious Unknown," the white-haired young man, with dark eyes of almost supernatural penetration and lustre, who gave himself out to be thirty instead of thirty-five, who spoke English, French, Italian, Spanish, German, and Romaic to those who best understood these languages. Borrow and Napier rode out together to the ruins of Italica: "We sat down," he says, "on a fragment of the walls; the "Unknown" began to feel the vein of poetry creeping through his inward soul, and gave vent to it by reciting, with great emphasis and effect, the following well-known and beautiful lines: "Cypress and ivy, weed and wallflower, grown Matted and massed together, hillocks heap'd On what were chambers, arch crush
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