th a fire of peat and wood
burning at a distance from the gable wall, on the middle of the floor.
His food was as homely as his habitation, and consisted chiefly of
oatmeal-porridge, barley-broth, and potatoes, and milk. How the muse
happened to visit him in this clay biggin, take a fancy to a clouterly
peasant, and teach him strains of consummate beauty and elegance, must
ever be a matter of wonder to all those, and they are not few, who
hold that noble sentiments and heroic deeds are the exclusive portion
of the gently nursed and the far descended.
Of the earlier verses of Burns few are preserved: when composed, he
put them on paper, but the kept them to himself: though a poet at
sixteen, he seems not to have made even his brother his confidante
till he became a man, and his judgment had ripened. He, however, made
a little clasped paper book his treasurer, and under the head of
"Observations, Hints, Songs, and Scraps of Poetry," we find many a
wayward and impassioned verse, songs rising little above the humblest
country strain, or bursting into an elegance and a beauty worthy of
the highest of minstrels. The first words noted down are the stanzas
which he composed on his fair companion of the harvest-field, out of
whose hands he loved to remove the nettle-stings and the thistles: the
prettier song, beginning "Now westlin win's and slaughtering guns,"
written on the lass of Kirkoswald, with whom, instead of learning
mensuration, he chose to wander under the light of the moon: a strain
better still, inspired by the charms of a neighbouring maiden, of the
name of Annie Ronald; another, of equal merit, arising out of his
nocturnal adventures among the lasses of the west; and, finally, that
crowning glory of all his lyric compositions, "Green grow the rashes."
This little clasped book, however, seems not to have been made his
confidante till his twenty-third or twenty-fourth year: he probably
admitted to its pages only the strains which he loved most, or such as
had taken a place in his memory: at whatever age it was commenced, he
had then begun to estimate his own character, and intimate his
fortunes, for he calls himself in its pages "a man who had little art
in making money, and still less in keeping it."
We have not been told how welcome the incense of his songs rendered
him to the rustic maidens of Kyle: women are not apt to be won by the
charms of verse; they have little sympathy with dreamers on Parnassus,
and a
|