the anecdote, adds that Blair evaded, with equal
good humour and decision, this not very polite request; nor was this
the only slip which the poet made on this occasion: some one asked him
in which of the churches of Edinburgh he had received the highest
gratification: he named the High-church, but gave the preference over
all preachers to Robert Walker, the colleague and rival in eloquence
of Dr. Blair himself, and that in a tone so pointed and decisive as to
make all at the table stare and look embarrassed. The poet confessed
afterwards that he never reflected on his blunder without pain and
mortification. Blair probably had this in his mind, when, on reading
the poem beginning "When Guildford good our pilot stood," he
exclaimed, "Ah! the politics of Burns always smell of the smithy,"
meaning, that they were vulgar and common.

In April, the second or Edinburgh, edition was published: it was
widely purchased, and as warmly commended. The country had been
prepared for it by the generous and discriminating criticisms of Henry
Mackenzie, published in that popular periodical, "The Lounger," where
he says, "Burns possesses the spirit as well as the fancy of a poet;
that honest pride and independence of soul, which are sometimes the
muse's only dower, break forth on every occasion, in his works." The
praise of the author of the "Man of Feeling" was not more felt by
Burns, than it was by the whole island: the harp of the north had not
been swept for centuries by a hand so forcible, and at the same time
so varied, that it awakened every tone, whether of joy or woe: the
language was that of rustic life; the scenes of the poems were the
dusty barn, the clay-floored reeky cottage, and the furrowed field;
and the characters were cowherds, ploughmen, and mechanics. The volume
was embellished by a head of the poet from the hand of the now
venerable Alexander Nasmith; and introduced by a dedication to the
noblemen and gentlemen of the Caledonian Hunt, in a style of vehement
independence, unknown hitherto in the history of subscriptions. The
whole work, verse, prose, and portrait, won public attention, and kept
it: and though some critics signified their displeasure at expressions
which bordered on profanity, and at a license of language which they
pronounced impure, by far the greater number united their praise to
the all but general voice; nay, some scrupled not to call him, from
his perfect ease and nature and variety, the Scotti