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ments are known to be the property of certain extensive proprietors in the city, some of whom have hundreds of them grinding daily in every quarter of the town. Some few are let out on hire--the best at a shilling a day; the old and worn-out ones as low as two or three pence; but the great majority of them are ground by young Italians shipped to this country for the especial purpose by the owners of the instruments. These descendants of the ancient Romans figure in Britain in a very different plight from that of their renowned ancestors. They may be encountered in troops sallying forth from the filthy purlieus of Leather Lane, at about nine or ten in the morning, each with his awkward burden strapped to his back, and supporting his steps with a stout staff, which also serves to support the instrument when playing. Each one has his appointed beat, and he is bound to bring home a certain prescribed sum to entitle him to a share in the hot supper prepared for the evening meal. We have more than once, when startled by the sound of the everlasting piano within an hour of midnight, questioned the belated grinder, and invariably received for answer, that he had not yet been able to collect the sum required of him. Still there can be no doubt that some of them contrive to save money; inasmuch as we occasionally see an active fellow set up on his own account, and furnished with an instrument immensely superior to those of his less prosperous compatriots. So great is the number of these wandering Italian pianists, that their condition has attracted the attention of their more wealthy countrymen, who, in conjunction with a party of benevolent English gentlemen, have set on foot an association for the express purpose of imparting instruction to poor Italians of all grades, of whom the vagabond musicians form the largest section. It is easy to recognise the rule adopted in the distribution of the instruments among the grinders: the stoutest fellow, or he who can take the best care of it, gets the best piano; while the shattered and rickety machine goes to the urchin of ten or twelve, who can scarcely drag it a hundred yards without resting. It is to be supposed that the instruments are all rated according to their quality. There is at this moment wandering about the streets of London a singular and pitiable object, whose wretched lot must be known to hundreds of thousands, and who affords in his own person good evidence of the stri
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