people reduced to mendicity by
lack of employment and forced to camp in the superb, unfinished,
abandoned mansions. Ah! the poor, sad people, who were yet so childish,
kept in the ignorance and credulity of a savage race by centuries of
theocracy, so habituated to mental night and bodily suffering that even
to-day they remained apart from the social awakening, simply desirous of
enjoying their pride, indolence, and sunlight in peace! They seemed both
blind and deaf in their decadence, and whilst Rome was being overturned
they continued to lead the stagnant life of former times, realising
nought but the worries of the improvements, the demolition of the old
favourite districts, the consequent change in habits, and the rise in the
cost of food, as if indeed they would rather have gone without light,
cleanliness, and health, since these could only be secured by a great
financial and labour crisis. And yet, at bottom, it was solely for the
people, the populace, that Rome was being cleansed and rebuilt with the
idea of making it a great modern capital, for democracy lies at the end
of these present day transformations; it is the people who will inherit
the cities whence dirt and disease are being expelled, and where the law
of labour will end by prevailing and killing want. And so, though one may
curse the dusting and repairing of the ruins and the stripping of all the
wild flora from the Colosseum, though one may wax indignant at sight of
the hideous fortress like ramparts which imprison the Tiber, and bewail
the old romantic banks with their greenery and their antique dwellings
dipping into the stream, one must at the same time acknowledge that life
springs from death, and that to-morrow must perforce blossom in the dust
of the past.

While thinking of all these things Pierre had reached the deserted,
stern-looking Piazza Farnese, and for a moment he looked up at the bare
monumental facade of the heavy square Palazzo, its lofty entrance where
hung the tricolour, its rows of windows and its famous cornice sculptured
with such marvellous art. Then he went in. A friend of Narcisse Habert,
one of the _attaches_ of the embassy to the King of Italy, was waiting
for him, having offered to show him over the huge pile, the finest palace
in Rome, which France had leased as a lodging for her ambassador.* Ah!
that colossal, sumptuous, deadly dwelling, with its vast court whose
porticus is so dark and damp, its giant staircase with low