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erd_ and other admirable poems in the Scottish dialect. He was born in 1686 and died in 1758. 'No sculptured marble here, no pompous lay, No storied urn, no animated bust; This simple stone directs pale Scotia's way To pour her sorrows o'er her poet's dust.[2] Though here you're buried, worthy Allan, We'll ne'er forget you, canty callan; For while your soul lives in the sky, Your "Gentle Shepherd" ne'er shall die.' Sir John Clerk, one of the Barons of the Exchequer in Scotland, who admired his genius and was one of his most intimate friends, erected at his family seat at Penicuik an obelisk to his memory; while Mr. Alexander Fraser-Tytler, at Woodhouselee, near the Glencorse _locale_ of _The Gentle Shepherd_, has erected a rustic temple which bears the inscription-- 'ALLANO RAMSAY ET GENIO LOCI. 'Here midst those streams that taught thy Doric Muse Her sweetest song,--the hills, the woods, and stream, Where beauteous Peggy strayed, list'ning the while Her Gentle Shepherd's tender tale of love. Scenes which thy pencil, true to Nature, gave To live for ever. Sacred be this shrine; And unprofaned, by ruder hands, the stone That owes its honours to thy deathless name.' Ramsay was survived by his son Allan, the painter, and by his two daughters, Christian and Janet, who amongst them inherited the poet's fortune. The house on the Castlehill fell to his son, and remained in the possession of the family, as Mr. Logie Robertson records, until 1845, when it changed hands at the death of General John Ramsay, the poet's grandson, and the last of his line. For many years it stood, an object of interest to all admirers of the bard, until 1892, when, just as the building was beginning to show signs of age, the site was bought for the erection of the new students' boarding-house, 'University Hall,' which so imposingly crowns the ridge of the Castlehill. With a reverence for the memory of the poet as rare as it is commendable, the promoters of the scheme resolved to preserve as much as possible of the house, and the greater part of it has been incorporated in the new building. Of Ramsay we have only two portraits remaining that are of any real value,--that painted by his son Allan, and that by Smibert, the poet's lifelong friend. The latter represents him in youth, the former in age--both being considered, at the time of execution, striking likenesses
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