FREE BOOKS

Author's List




PREV.   NEXT  
|<   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80  
81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   >>   >|  
ay more impressive than a dusky London holiday; it suggests a variety of reflections. Even looked at superficially the British capital is one of the most interesting of cities, and it is perhaps on such occasions as this that I have most felt its interest. London is ugly, dusky, dreary, more destitute than any European city of graceful and decorative incident; and though on festal days, like those I speak of, the populace is massed in large numbers at certain points, many of the streets are empty enough of human life to enable you to perceive their intrinsic hideousness. A Christmas Day or a Good Friday uncovers the ugliness of London. As you walk along the streets, having no fellow-pedestrians to look at, you look up at the brown brick house-walls, corroded with soot and fog, pierced with their straight stiff window-slits and finished, by way of a cornice, with a little black line resembling a slice of curb-stone. There is not an accessory, not a touch of architectural fancy, not the narrowest concession to beauty. If I were a foreigner it would make me rabid; being an Anglo-Saxon I find in it what Thackeray found in Baker street--a delightful proof of English domestic virtue, of the sanctity of the British home. There are miles and miles of these edifying monuments, and it would seem that a city made up of them should have no claim to that larger effectiveness of which I just now spoke. London, however, is not made up of them; there are architectural combinations of a statelier kind, and the impression moreover does not rest on details. London is picturesque in spite of details--from its dark-green, misty parks, the way the light comes down leaking and filtering from its cloudy skies, and the softness and richness of tone which objects put on in such an atmosphere as soon as they begin to recede. Nowhere is there such a play of light and shade, such a struggle of sun and smoke, such aerial gradations and confusions. To eyes addicted to the picturesque this is a constant entertainment, and yet this is only part of it. What completes the effect of the place is its appeal to the feelings, made in so many ways, but made above all by agglomerated immensity. At any given point London looks huge; even in narrow corners you have a sense of its hugeness, and petty places acquire a certain interest from their being parts of so mighty a whole. Nowhere, else is so much human life gathered together and nowhere does it press upon you
PREV.   NEXT  
|<   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80  
81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   >>   >|  



Top keywords:

London

 

picturesque

 

details

 
architectural
 
streets
 

British

 

interest

 

Nowhere

 
atmosphere
 

objects


cloudy
 

filtering

 

softness

 

leaking

 

richness

 

impression

 

larger

 

effectiveness

 
edifying
 

monuments


combinations

 

statelier

 

narrow

 

corners

 

hugeness

 

immensity

 

agglomerated

 

places

 

gathered

 

acquire


mighty

 

gradations

 
aerial
 

confusions

 

recede

 

struggle

 

addicted

 
constant
 
appeal
 

feelings


effect

 
completes
 

entertainment

 

concession

 
points
 
numbers
 

enable

 

massed

 

populace

 

perceive