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ct. Within the curtain stand the monastic buildings, a large garden and a cruciform chapel, with many curious old stone carvings, half hidden beneath whitewash. Numerous gifts from the Russian court, such as gospels lettered in gold and silver relief, or jewelled crucifixes, are preserved on the spot; but the valuable library was removed, in the 15th century, to Mount Athos. CHUQUISACA, a department of S.E. Bolivia, bounded N. by Cochabamba and Santa Cruz, E. by Santa Cruz and Brazil, S. by Tarija, and W. by Potosi. It lies partly upon the eastern plateau of Bolivia and partly upon the great plains of the upper La Plata basin; area, 26,418 sq. m. The Pilcomayo, a large tributary of the Paraguay, crosses N.W. to S.E. the western part of the department. The climate of the lowlands is hot, humid and unhealthy, but that of the plateau is salubrious, though subject to greater extremes in temperature and rainfall. The seasons are sharply divided into wet and dry, the eastern plains becoming great lagoons during the wet season, and parched deserts during the dry. The mineral resources are important, but are less developed than those of Potosi and Oruro. Grazing is the principal industry of the plains, and cattle, sheep, goats and llamas are raised and cereals grown in the fertile valleys of the plateau. Three rough highways connect the department with its neighbours on the N. and W., and pack animals are the common means of transporting merchandise. The population was estimated at 204,434 m 1900, and is largely composed of Indians and _mestizos_. The plateau Indians are generally Aymaras, but on the eastern plains there are considerable settlements of partly civilized Chiriguanos, of Guarani origin. The department is divided into four provinces, the greater part of the lowlands being unsettled and without effective political organization. Its principal towns are Sucre, Camargo, Padilla and Yotala. CHURCH, FREDERICK EDWIN (1826-1900), American landscape painter, was born at Hartford, Connecticut, on the 4th of May 1826. He was a pupil of Thomas Cole at Catskill, New York, where his first pictures were painted. Developing unusual technical dexterity, Church from the beginning sought for his themes such marvels of nature as Niagara Falls, the Andes, and tropical forests--he visited South America in 1853 and 1857,--volcanoes in eruption, and icebergs, the beauties of which he portrayed with great skill in the manage
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