rn over Baron d'Holbach. He had a wife as
charming as herself, formerly the lovely Mademoiselle d'Aine, whose
beautiful features and seductive figure presented
"A combination, and a form, indeed,
Where every god did seem to set his seal."
Nothing was more natural than that two such women should imbibe the
deepest tenderness for each other. But alas! the Baron's wife was
tainted with her husband's heresies; and yet in their home did the
Marchioness see all the domestic virtues exemplified, and beheld that
sweet harmony and unchangeable affection for which the d'Holbachs
were eminently distinguished among their acquaintances, and which was
remarkable from its striking contrast with the courtly and Christian
habits of the day. At a loss what to do, the Marchioness consulted her
confessor, and was advised to withdraw entirely from the society of
the Baron and his wife, unless she was willing to sacrifice all her
hopes of heaven, and to plunge headlong down to hell. Her natural good
sense and love of her friends struggled with her monastic education
and reverence for the priests. The conflict rendered her miserable;
and unable to enjoy happiness, she brooded over her wishes and her
terrors. In this state of mind she at length wrote a touching letter
to the Baron, and laid open her situation, requesting him to comfort,
console, and enlighten her. Such was the origin of the book now
presented in an English dress to the reader. It accomplished its
purpose with the Marchioness de Vermandois, and afterwards its author
concluded to publish the work, in hopes it might be equally useful to
others.
The _Letters_ were _written_ in 1764, when d'Holbach was in the
forty-second year of his age. Twelve different works he had before
written and published, and all without the affix of his name. _Eleven_
were upon mineralogy, the arts and the sciences, and _one_ only upon
theology. That _one_ had been secretly printed in 1761, at Nancy, with
the imprint of London, and was _honored_ with a parliamentary statute
condemning its publication and forbidding its sale or circulation.
Christian hatred bestowed upon it the additional honor of causing it
to be burned in the streets of Paris by the public executioner. But
the prudence of the author protected his life. He attributed the book
to a dead man, who had been known to entertain sceptical views. It was
entitled CHRISTIANITY UNVEILED, and bore on its title page the name of
BOULANGE
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