FREE BOOKS

Author's List




PREV.   NEXT  
|<   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229  
230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   >>   >|  
the reader will take a magnifying glass to the figure 6 _d_, he will see that its square ornaments, of which, in the real door, each contains a rose, diminish to the apex of the arch; a very interesting and characteristic circumstance, showing the subtle feeling of the Gothic builders. They must needs diminish the ornamentation, in order to sympathize with the delicacy of the point of the arch. The magnifying glass will also show the Bondumieri shield in No. 7 _d_, and the Leze shield in No. 7 _e_, both introduced on the keystones in the grand early manner. The mouldings of these various doors will be noticed under the head Archivolt. [Illustration: Plate VI. BYZANTINE JAMBS.] Now, throughout the city we find a number of doors resembling the square doors of St. Mark, and occurring with rare exceptions either in buildings of the Byzantine period, or imbedded in restored houses; never, in a single instance, forming a connected portion of any late building; and they therefore furnish a most important piece of evidence, wherever they are part of the original structure of a _Gothic_ building, that such building is one of the advanced guards of the Gothic school, and belongs to its earliest period. On Plate VI., opposite, are assembled all the important examples I could find in Venice of these mouldings. The reader will see at a glance their peculiar character, and unmistakable likeness to each other. The following are the references: 1. Door in Calle Mocenigo. 2. Angle of tomb of Dogaressa Vital Michele. 3. Door in Sotto Portico, St. Apollonia (near Ponte di Canonica). 4. Door in Calle della Verona (another like it is close by). 5. Angle of tomb of Doge Marino Morosini. 6, 7. Door in Calle Mocenigo. 8. Door in Campo S. Margherita. Plate VI. 9. Door at Traghetto San Samuele, on south side of Grand Vol. III. Canal. 10. Door at Ponte St. Toma. 11. Great door of Church of Servi. 12. In Calle della Chiesa, Campo San Filippo e Giacomo. 13. Door of house in Calle di Rimedio (Vol. II.). 14. Door in Fondaco de' Turchi. 15. Door in Fondamenta Malcanton, near Campo S. Margherita. 16. Door in south side of Canna Reggio. 17, 18. Doors in Sotto Portico dei Squellini. The principal points to be noted in these mould
PREV.   NEXT  
|<   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229  
230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   >>   >|  



Top keywords:
Gothic
 

building

 

Margherita

 

mouldings

 

period

 

Mocenigo

 

magnifying

 
reader
 

important

 
Portico

square

 

shield

 

diminish

 

Squellini

 

Michele

 
Apollonia
 

Malcanton

 
Venice
 

Turchi

 

Canonica


Fondamenta

 
Dogaressa
 

Reggio

 

peculiar

 

references

 

likeness

 

character

 
Verona
 

glance

 

unmistakable


Chiesa
 

Filippo

 
Giacomo
 

Samuele

 

Church

 

points

 

Marino

 

principal

 

Morosini

 

Traghetto


Rimedio

 

Fondaco

 

introduced

 
keystones
 
Bondumieri
 

delicacy

 
manner
 

Illustration

 

BYZANTINE

 

Archivolt