in Grotesque art,
iii. 159.
Science opposed to art, iii. 36.
Sculpture, proper treatment of, i. 216, &c.
Sea, symbolical representations of, i. 352, 421; natural waves of, i.
351.
Sensualism in art, its nature and definition, ii. 189; how redeemed
by color, ii. 145.
Serapeum at Memphis, cusps of, ii. 220.
Sermons, proper manner of regarding them, ii. 22; mode of their
delivery in Scotch church, ii. 381.
Serrar del Consiglio, ii. 291.
Shafts, analysis of, i. 84; vaulting shafts, i. 145; ornamentation
of, i. 300; twisted, by what laws regulated, i. 303; strength of, i.
402; laws by which they are regulated in encrusted style, ii. 82.
Shields, use of, on tombs, ii. 224, iii. 87.
Shipping, use of, in ornamentation, i. 215.
Shops in Venice, ii. 65.
Sight, how opposed to thought, iii. 39.
Simplicity of life in thirteenth century, ii. 263.
Sin, how symbolized in Grotesque art, iii. 141.
Slavery of Greeks and Egyptians, ii. 158; of English workmen, ii.
162, 163.
Society, unhealthy state of, in modern times, ii. 163.
Sorrow, how sinful, ii. 325; how symbolized, ii. 347.
Soul, its development in art, iii. 173, 188; its connection with the
body, i. 41, 395.
Spandrils, structure of, i. 146; decoration of, i. 297.
Spirals, architectural value of, i. 222, ii. 16.
Spurs of bases, i. 79.
Staircases, i. 208; of Gothic palaces, ii. 280.
Stucco, when admissible, iii. 21.
Subordination of ornament, i. 240.
Superimposition of buildings, i. 200; ii. 386.
Surface-Gothic, explanation of term, ii. 225, 227.
Symbolism, i. 417; how opposed to personification, ii. 322.
System, pride of, how hurtful, iii. 95, 99.

T

Temperance, how symbolized, ii. 338; temperance in color and
curvature, iii. 420.
Theology, opposed to religion, iii. 216; of Spencer, iii. 205.
Thirteenth century, its high position with respect to art, ii. 263.
Thought, opposed to sight, iii. 39.
Tombs at Verona, i. 142, 412; at Venice, ii. 69; early Christian,
iii. 67; Gothic, iii. 71; Renaissance treatment of, iii. 84.
Towers, proper character of, i. 204; of St. Mark's, i 207.
Traceries, structure of, i. 184, 185; flamboyant, i. 189; stump, i.
189; English perpendicular, i 190, ii. 222; general character of, ii.
220; strength of, in Venetian Gothic, ii. 234, iii. 253; general
forms of tracery bars, iii. 250.
Treason, how detested by Dante