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soon as she found herself in presence of the real thing, the romantic life itself. That was what she saw in Mildred--what positively made her hand a while tremble too much for the pen. She had had, it seemed to her, a revelation--such as even New England refined and grammatical couldn't give; and, all made up as she was of small neat memories and ingenuities, little industries and ambitions, mixed with something moral, personal, that was still more intensely responsive, she felt her new friend would have done her an ill turn if their friendship shouldn't develop, and yet that nothing would be left of anything else if it should. It was for the surrender of everything else that she was, however, quite prepared, and while she went about her usual Boston business with her usual Boston probity she was really all the while holding herself. She wore her "handsome" felt hat, so Tyrolese, yet some how, though feathered from the eagle's wing, so truly domestic, with the same straightness and security; she attached her fur boa with the same honest precautions; she preserved her balance on the ice-slopes with the same practised skill; she opened, each evening, her "Transcript" with the same interfusion of suspense and resignation; she attended her almost daily concert with the same expenditure of patience and the same economy of passion; she flitted in and out of the Public Library with the air of conscientiously returning or bravely carrying off in her pocket the key of knowledge itself; and finally--it was what she most did--she watched the thin trickle of a fictive "love-interest" through that somewhat serpentine channel, in the magazines, which she mainly managed to keep clear for it. But the real thing, all the while, was elsewhere; the real thing had gone back to New York, leaving behind it the two unsolved questions, quite distinct, of why it _was_ real, and whether she should ever be so near it again. For the figure to which these questions attached themselves she had found a convenient description--she thought of it for herself, always, as that of a girl with a background. The great reality was in the fact that, very soon, after but two or three meetings, the girl with the background, the girl with the crown of old gold and the mourning that was not as the mourning of Boston, but at once more rebellious in its gloom and more frivolous in its frills, had told her she had never seen any one like her. They had met thus as o
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