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naries. Of late years, however, a more generous policy has prevailed. As the mass of the Javanese regard the native princes as traitors and apostates, the Arab priests and hadjis have come to be recognized as the popular leaders. It is they, and not the princes, who now form the dangerous element. The priests are jealous of European influence, and are ready to incite the natives to revolt if occasion offers, but in any outbreak the native princes are the first to be attacked. A revolt in Bantam had occurred some twelve months before the date of my visit (1890). In return for some injustice, the Resident and his wife and children were put to death by mutilation. The village in which this took place was near Serang, the capital town of Bantam, and only seventy miles from Batavia, and military assistance was obtained from both of these places. The troops from Serang arrived in time to find the body of the Resident's wife still heaving with the action of breathing. Fifty or sixty of the natives were brought to justice for this murder, and six of the ringleaders were shot. I was told that there were numerous secret societies existing in the country, controlled by the Mohammedan authorities in Arabia, and absolutely hidden beyond the reach of the Government.[7] The question of the moral and mental development of the Javanese natives is one which has lately been much discussed, both in Java and in Holland, and the result has been that the Colonial Government is now fairly pledged to a humanitarian policy. The large sum annually appropriated in the colonial budget to the purposes of public instruction, is a sufficient evidence of the reality of the desire now manifested by the Dutch to give the natives of Java full opportunities for the education and training necessary for technical and industrial progress. There can be no doubt as to the capacity of the natives to benefit by such advantages. When D'Almeida visited the island thirty years ago, he paid a visit to Raden Saleh, a native artist, who had been sent to Holland to be educated there at the expense of the Colonial Government. He had lived for twenty-three years in Europe, residing both in that country and in Germany, and following the profession of an artist. He was chiefly distinguished as an animal-painter, and made such progress in art that he was commissioned by the late Prince Consort to paint two pictures for him, illustrative of Javan life and scenery. Raden S
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