reached the sun. Time in crossing the sun was about an hour. After
leaving the sun it was visible an hour.
I think he's a vast, black vampire that sometimes broods over this earth
and other bodies.
Communication from Dr. F.B. Harris (_Popular Astronomy_, 20-398):
That, upon the evening of Jan. 27, 1912, Dr. Harris saw, upon the moon,
"an intensely black object." He estimated it to be 250 miles long and 50
miles wide. "The object resembled a crow poised, as near as anything."
Clouds then cut off observation.
Dr. Harris writes:
"I cannot but think that a very interesting and curious phenomenon
happened."
15
Short chapter coming now, and it's the worst of them all. I think it's
speculative. It's a lapse from our usual pseudo-standards. I think it
must mean that the preceding chapter was very efficiently done, and that
now by the rhythm of all quasi-things--which can't be real things, if
they're rhythms, because a rhythm is an appearance that turns into its
own opposite and then back again--but now, to pay up, we're what we
weren't. Short chapter, and I think we'll fill in with several points in
Intermediatism.
A puzzle:
If it is our acceptance that, out of the Negative Absolute, the Positive
Absolute is generating itself, recruiting, or maintaining, itself, via a
third state, or our own quasi-state, it would seem that we're trying to
conceive of Universalness manufacturing more Universalness from
Nothingness. Take that up yourself, if you're willing to run the risk of
disappearing with such velocity that you'll leave an incandescent train
behind, and risk being infinitely happy forever, whereas you probably
don't want to be happy--I'll sidestep that myself, and try to be
intelligible by regarding the Positive Absolute from the aspect of
Realness instead of Universalness, recalling that by both Realness and
Universalness we mean the same state, or that which does not merge away
into something else, because there is nothing else. So the idea is that
out of Unrealness, instead of Nothingness, Realness, instead of
Universalness, is, via our own quasi-state, manufacturing more Realness.
Just so, but in relative terms, of course, all imaginings that
materialize into machines or statues, buildings, dollars, paintings or
books in paper and ink are graduations from unrealness to realness--in
relative terms. It would seem then that Intermediateness is a relation
between the Positive Absolute and the Nega
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