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The Project Gutenberg EBook of The Book of the Damned, by Charles Fort This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Book of the Damned Author: Charles Fort Release Date: August 31, 2007 [EBook #22472] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE BOOK OF THE DAMNED *** Produced by Julie Barkley, Graeme Mackreth and the Online Distributed Proofreading Team at http://www.pgdp.net THE BOOK OF THE DAMNED 1 A procession of the damned. By the damned, I mean the excluded. We shall have a procession of data that Science has excluded. Battalions of the accursed, captained by pallid data that I have exhumed, will march. You'll read them--or they'll march. Some of them livid and some of them fiery and some of them rotten. Some of them are corpses, skeletons, mummies, twitching, tottering, animated by companions that have been damned alive. There are giants that will walk by, though sound asleep. There are things that are theorems and things that are rags: they'll go by like Euclid arm in arm with the spirit of anarchy. Here and there will flit little harlots. Many are clowns. But many are of the highest respectability. Some are assassins. There are pale stenches and gaunt superstitions and mere shadows and lively malices: whims and amiabilities. The naive and the pedantic and the bizarre and the grotesque and the sincere and the insincere, the profound and the puerile. A stab and a laugh and the patiently folded hands of hopeless propriety. The ultra-respectable, but the condemned, anyway. The aggregate appearance is of dignity and dissoluteness: the aggregate voice is a defiant prayer: but the spirit of the whole is processional. The power that has said to all these things that they are damned, is Dogmatic Science. But they'll march. The little harlots will caper, and freaks will distract attention, and the clowns will break the rhythm of the whole with their buffooneries--but the solidity of the procession as a whole: the impressiveness of things that pass and pass and pass, and keep on and keep on and keep on coming. The irresistibleness of things that neither threaten nor jeer nor defy, but
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