FREE BOOKS

Author's List




PREV.   NEXT  
|<   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111  
112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>   >|  
, and let a place for folding doors be left in the middle to afford entrance. This cella, excluding its walls and the passage round the outside, should have a diameter equivalent to the height of a column above the stylobate. Let the columns round the cella be arranged in the symmetrical proportions just given. 3. The proportions of the roof in the centre should be such that the height of the rotunda, excluding the finial, is equivalent to one half the diameter of the whole work. The finial, excluding its pyramidal base, should have the dimensions of the capital of a column. All the rest must be built in the symmetrical proportions described above. [Illustration: _From Durm_ THE CIRCULAR TEMPLE ACCORDING TO VITRUVIUS] 4. There are also other kinds of temples, constructed in the same symmetrical proportions and yet with a different kind of plan: for example, the temple of Castor in the district of the Circus Flaminius, that of Vejovis between the two groves, and still more ingeniously the temple of Diana in her sacred grove, with columns added on the right and left at the flanks of the pronaos. Temples of this kind, like that of Castor in the Circus, were first built in Athens on the Acropolis, and in Attica at Sunium to Pallas Minerva. The proportions of them are not different, but the same as usual. For the length of their cellae is twice the width, as in other temples; but all that we regularly find in the fronts of others is in these transferred to the sides. 5. Some take the arrangement of columns belonging to the Tuscan order and apply it to buildings in the Corinthian and Ionic styles, and where there are projecting antae in the pronaos, set up two columns in a line with each of the cella walls, thus making a combination of the principles of Tuscan and Greek buildings. 6. Others actually remove the temple walls, transferring them to the intercolumniations, and thus, by dispensing with the space needed for a pteroma, greatly increase the extent of the cella. So, while leaving all the rest in the same symmetrical proportions, they appear to have produced a new kind of plan with the new name "pseudoperipteral." These kinds, however, vary according to the requirements of the sacrifices. For we must not build temples according to the same rules to all gods alike, since the performance of the sacred rites varies with the various gods. 7. I have now set forth, as they have come down to me, all the principl
PREV.   NEXT  
|<   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111  
112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>   >|  



Top keywords:

proportions

 
columns
 

symmetrical

 
temple
 

temples

 

excluding

 

pronaos

 

buildings

 

Castor

 

Circus


finial

 

sacred

 
Tuscan
 

height

 

equivalent

 

diameter

 
column
 

transferred

 
making
 

principles


fronts
 

combination

 

projecting

 

arrangement

 

styles

 

belonging

 

Corinthian

 

increase

 

performance

 

sacrifices


requirements

 

varies

 

principl

 
pseudoperipteral
 
dispensing
 

needed

 

intercolumniations

 
transferring
 

Others

 

remove


pteroma

 

greatly

 

produced

 

leaving

 

extent

 
pyramidal
 

dimensions

 
rotunda
 

capital

 

CIRCULAR