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l as blind as bats, and none the less happy for that. I'm a wanton variation, an unaccountable monster. My dear father, rest his soul, went through life without a suspicion that there's anything in it that can't be boiled into blue-books, and became in that conviction a very distinguished person. He brought me up in the same simplicity and in the hope of the same eminence. It would have been better if I had remained so. I think it's partly your fault that I haven't," Nick went on. "At Oxford you were very bad company for me--my evil genius: you opened my eyes, you communicated the poison. Since then, little by little, it has been working within me; vaguely, covertly, insensibly at first, but during the last year or two with violence, pertinacity, cruelty. I've resorted to every antidote in life; but it's no use--I'm stricken. _C'est Venus toute entiere a sa proie attachee_--putting Venus for 'art.' It tears me to pieces as I may say." "I see, I follow you," said Nash, who had listened to this recital with radiant interest and curiosity. "And that's why you are going to stand." "Precisely--it's an antidote. And at present you're another." "Another?" "That's why I jumped at you. A bigger dose of you may disagree with me to that extent that I shall either die or get better." "I shall control the dilution," said Nash. "Poor fellow--if you're elected!" he added. "Poor fellow either way. You don't know the atmosphere in which I live, the horror, the scandal my apostasy would provoke, the injury and suffering it would inflict. I believe it would really kill my mother. She thinks my father's watching me from the skies." "Jolly to make him jump!" Nash suggested. "He'd jump indeed--come straight down on top of me. And then the grotesqueness of it--to _begin_ all of a sudden at my age." "It's perfect indeed, it's too lovely a case," Nash raved. "Think how it sounds--a paragraph in the London papers: 'Mr. Nicholas Dormer, M. P. for Harsh and son of the late Right Honourable and so forth and so forth, is about to give up his seat and withdraw from public life in order to devote himself to the practice of portrait-painting--and with the more commendable perseverance by reason of all the dreadful time he has lost. Orders, in view of this, respectfully solicited.'" "The nineteenth century's a sweeter time than I thought," said Nash. "It's the portrait then that haunts your dreams?" "I wish you could see. You
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