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ontained nothing but ghostly sounds. They found at any rate a long luncheon, and in the landscape the very spirit of silvery summer and of the French pictorial brush. I have said that in these days Sherringham wondered about many things, and by the time his leave of absence came this practice had produced a particular speculation. He was surprised that he shouldn't be in love with Miriam Rooth and considered at moments of leisure the causes of his exemption. He had felt from the first that she was a "nature," and each time she met his eyes it seemed to come to him straighter that her beauty was rare. You had to get the good view of her face, but when you did so it was a splendid mobile mask. And the wearer of this high ornament had frankness and courage and variety--no end of the unusual and the unexpected. She had qualities that seldom went together--impulses and shynesses, audacities and lapses, something coarse, popular, and strong all intermingled with disdains and languors and nerves. And then above all she was _there_, was accessible, almost belonged to him. He reflected ingeniously that he owed his escape to a peculiar cause--to the fact that they had together a positive outside object. Objective, as it were, was all their communion; not personal and selfish, but a matter of art and business and discussion. Discussion had saved him and would save him further, for they would always have something to quarrel about. Sherringham, who was not a diplomatist for nothing, who had his reasons for steering straight and wished neither to deprive the British public of a rising star nor to exchange his actual situation for that of a yoked _impresario_, blessed the beneficence, the salubrity, the pure exorcism of art. At the same time, rather inconsistently and feeling that he had a completer vision than before of that oddest of animals the artist who happens to have been born a woman, he felt warned against a serious connexion--he made a great point of the "serious"--with so slippery and ticklish a creature. The two ladies had only to stay in Paris, save their candle-ends and, as Madame Carre had enjoined, practise their scales: there were apparently no autumn visits to English country-houses in prospect for Mrs. Rooth. Peter parted with them on the understanding that in London he would look as thoroughly as possible into the question of an engagement. The day before he began his holiday he went to see Madame Carre, who said
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