FREE BOOKS

Author's List




PREV.   NEXT  
|<   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346  
347   348   349   350   351   352   353   354   355   356   357   358   359   360   361   362   363   364   365   366   >>  
sfeld--really a good judge--said in _The Athenaeum_ that 'the work is a pearl of genius,' and that William Bodham Donne declared that 'the language and rhythm are vastly superior to Macaulay's _Lays of Ancient Rome_.' As to _The Sleeping Bard_ Borrow himself was able to make his own vigorous defence of that work. In emulation of Walter Scott he reviewed himself in _The Quarterly_.[251] His article is really an essay on Welsh poetry, and incidentally he quotes from his unpublished _Celtic Bards, Chiefs and Kings_ a lengthy passage, the manuscript of which is in my possession. We are introduced again to all Borrow's old friends of _Wild Wales_: Hew Morris, Goronwy Owen, and finally Elis Wyn. Borrow quotes from _The Romany Rye_, but as becomes a reviewer of his own book, gives no praise to his achievement. I find no plays among Borrow's 'mountains of manuscript' in my possession, and so I am not disposed to accept the suggestion that the following letter from Gifford to Borrow refers to a play which Borrow pretended to be the work of a friend while it was really his own. If it was his own he doubtless took Gifford's counsel to heart and promptly destroyed the manuscript:-- To George Borrow, Esq. _A Specimen of Gifford's criticism on a friend's_ play, _which I was desired to send to him_. MY DEAR BORROW,--I have read your M.S. very attentively, and may say of it with Desdemona of the song-- 'It is silly, sooth, And dallies with the innocence of love Like to old age.' The poetry in some places is pretty, the sentiment is also excellent. And can I say more? The plot is petty, the characters without vigour, and the story poorly told. Instead of Irene the scene seems to be laid in Arcadia, and the manners are not so much confounded as totally lost. There are Druids--but such Druids! O Lord! There is to be seen no physical, perhaps no moral lesson, though a Druid should not be a rogue--but it is not so set down in the bond. Is this the characterisation which we have been used to see there? To end an unpleasant letter, I must leave to your friendship for the author to contrive some mode of dissuading him from publishing. If, however, he is determined to rush on the world, let him do it, in the first place, anonymously. If it takes, he may then toss up his nose at my opinion, and claim his w
PREV.   NEXT  
|<   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346  
347   348   349   350   351   352   353   354   355   356   357   358   359   360   361   362   363   364   365   366   >>  



Top keywords:
Borrow
 

Gifford

 
manuscript
 

quotes

 
poetry
 

possession

 

letter

 
friend
 

Druids

 

Instead


vigour
 

manners

 

Arcadia

 

poorly

 

dallies

 
innocence
 

attentively

 
Desdemona
 
places
 

excellent


pretty

 

sentiment

 

characters

 

physical

 

publishing

 

determined

 

dissuading

 

friendship

 

author

 

contrive


opinion
 

anonymously

 

unpleasant

 
lesson
 

totally

 

characterisation

 

confounded

 

promptly

 
Quarterly
 
article

reviewed

 

defence

 
emulation
 

Walter

 

incidentally

 

passage

 

introduced

 

lengthy

 

unpublished

 

Celtic