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_) A PARADISE FOR A PENNY (_Boston Transcript_) 326 WANTED: A HOME ASSISTANT (_Pictorial Review_) 331 SIX YEARS OF TEA ROOMS (_New York Sun_) 336 BY PARCEL POST (_Country Gentleman_) 341 SALES WITHOUT SALESMANSHIP (_Saturday Evening Post_) 349 THE ACCIDENT THAT GAVE US WOOD-PULP PAPER 356 (_Munsey's Magazine_) CENTENNIAL OF THE FIRST STEAMSHIP TO CROSS THE ATLANTIC 360 (_Providence Journal_) SEARCHING FOR THE LOST ATLANTIS 364 (_Syndicate Sunday Magazine Section_) INDEX 369 HOW TO WRITE SPECIAL FEATURE ARTICLES PART I CHAPTER I THE FIELD FOR SPECIAL ARTICLES ORIGIN OF SPECIAL ARTICLES. The rise of popular magazines and of magazine sections of daily newspapers during the last thirty years has resulted in a type of writing known as the "special feature article." Such articles, presenting interesting and timely subjects in popular form, are designed to attract a class of readers that were not reached by the older literary periodicals. Editors of newspapers and magazines a generation ago began to realize that there was no lack of interest on the part of the general public in scientific discoveries and inventions, in significant political and social movements, in important persons and events. Magazine articles on these themes, however, had usually been written by specialists who, as a rule, did not attempt to appeal to the "man in the street," but were satisfied to reach a limited circle of well-educated readers. To create a larger magazine-reading public, editors undertook to develop a popular form and style that would furnish information as attractively as possible. The perennial appeal of fiction gave them a suggestion for the popularization of facts. The methods of the short story, of the drama, and even of the melodrama, applied to the presentation of general information, provided a means for catching the attention of the casual reader. Daily newspapers had already discovered the advantage of giving the day's news in a form that could be read rapidly with the maximum degree of interest by the average man and woman. Certain so-called sensational papers had gone a step further in these attempts to give added attractiveness to news and had emphasized its melodramatic aspects.
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