aimed to be the discoverer of Mr. Wilfred Whitten as a
first-class prose writer. I relinquish the claim, with apologies. Messrs.
Methuen have staggered me by sending me Mrs. Laurence Binyon's "Nineteenth
Century Prose," in which anthology is an example of Mr. Whitten's prose.
Though staggered, I was delighted. I should very much like to know how
Mrs. Binyon encountered the prose of Mr. Whitten. Did she hunt through the
files of newspapers for what she might find therein, and was she thus
rewarded? Or did some tremendous and omniscient expert give her the tip? I
disagree with about 85 per cent. of the _obiter dicta_ of her preface, but
her anthology is certainly a most agreeable compilation. It shows, like
sundry other recent anthologies, the strong liberating influence of Mr.
E.V. Lucas, whose "Open Road" really amounted to a renascence of the
craft.

And here is the tail-end of the extract which Mrs. Binyon has perfectly
chosen from the essays of Mr. Whitten:

"...The moon pushing her way upwards through the vapours, and the scent of
the beans and kitchen stuff from the allotments, and the gleaming rails
below, spoke of the resumption of daily burdens. But let us drop that
jargon. Why call that a burden which can never be lifted? This calm
necessity that dwells with the matured man to get back to the matter in
hand, and dree his weird whatever befall, is a badge, not a burden. It is
the stimulus of sound natures; and as the weight of his wife's arm makes a
man's body proud, so the sense of his usefulness to the world does but
warm and indurate his soul. It is something when a man comes to this mind,
and with all his capacity to err, is abreast of life at last. He shall not
regret the infrequency of his inspirations, for he will know that the day
of his strength has set in. And if, for poesy, some grave Virgilian line
should pause on his memory, or some tongue of Hebrew fire leap from the
ashes of his godly youth, it will be enough. But if cold duck await--why,
then, to supper!"

UGLINESS IN FICTION

[_9 May '08_]

In the _Edinburgh Review_ there is a disquisition on "Ugliness in
Fiction." Probably the author of it has read "Liza of Lambeth," and said
Faugh! The article, peculiarly inept, is one of those outpourings which
every generation of artists has to suffer with what tranquillity it can.
According to the Reviewer, ugliness is specially rife "just now." It is
always "just now." It was "just now" when Geo