FREE BOOKS

Author's List




PREV.   NEXT  
|<   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   >>  
atics might vote it too tame, But sense is not baffled by bogies. The Emerald Green and the "bowls" and the "jack," Are beautiful--but for that bend in the back-- To those the young furies call "fogies." You have not to "sprint" o'er some acres of grass, To "slog" or to scamper, to "scrummage" or "pass," At the risk of your ribs, or "rheumatics"; You have not to treat your opponents like foes, Or "go for" your rival's shin-bone or his nose, As do the aforesaid fanatics. But how pleasant the "green" in the cool of the day, The tankard of stingo, the yard of white clay, And the play and the chaff of good fellows! Although not a betting man howls out the odds, And no ring of mad backers--like gallery "gods"--- About us insensately bellows. Yes, PAYN, the "crank in," and the "kiss of the Jack," _All_--save, as you say, that darned bend in the back-- About the old game is delightful. We thank you for "trolling the bowl" once again, Ah! it were a pleasure to play it with PAYN-- (By Jove, though--that loin-twinge was frightful!) * * * * * A THEATRICAL PLUNGE; OR, TAKING A HEDDA. A plunge indeed! but fortunately the swimmers are strong, and able to save the suicidal Ibsenites. For my part,--that is, as one of the audience drawn by curiosity,--I should say that were it not for the excellent acting of all concerned in the piece, and especially of Miss ELIZABETH ROBINS as the Hanwellian heroine, IBSEN's _Hedda Gabler_ would scarcely have been allowed a second night's existence at the Vaudeville. Miss ROBINS is so much in earnest--as a true artist should be--that she excites your curiosity to discover what on earth she is taking all this trouble about; and thus she compels your attention. That the result is eminently unsatisfactory is no fault of hers. The piece itself is stuff and nonsense; poor stuff and "pernicious nonsense." It is as if the author had studied the weakest of the Robertsonian Comedies, and had thought he could do something like it in a tragic vein. [Illustration: A Powerful Cast.] In the last Act there is a situation reminding us strongly of one short scene in _Caste; there_--so delicately and touchingly treated by its author; _here_--so repulsively treated by IBSEN. Let it be reduced to serious burlesque, and let us have it played by PENLEY as _George Tesman_, ARTHUR ROBERTS (with a s
PREV.   NEXT  
|<   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   >>  



Top keywords:

curiosity

 

nonsense

 

author

 
treated
 

ROBINS

 

discover

 

baffled

 

excites

 

earnest

 
bogies

artist

 

taking

 

compels

 
attention
 

result

 

Vaudeville

 

trouble

 

existence

 

ELIZABETH

 

concerned


beautiful

 
excellent
 
acting
 

Hanwellian

 
heroine
 

allowed

 

eminently

 

scarcely

 

Emerald

 

Gabler


delicately

 
touchingly
 

situation

 

reminding

 
strongly
 
repulsively
 

George

 

PENLEY

 
Tesman
 
ARTHUR

ROBERTS

 

played

 

reduced

 

burlesque

 
studied
 
pernicious
 
weakest
 

Robertsonian

 
Illustration
 

Powerful