phires, and round about him are the images of four
little children, all likewise of gold. In the second house is the statue
of a man in massy silver, which seems to sit on heaps of money. This
enormous idol, though sitting, is as lofty as the roof of a house. I
measured his feet, which I found exceeded that of my own stature; and
the head of this statue bears a crown similar to that of the former
golden image. The third house has a brazen image of equal size, having a
similar crown on its head. In the fourth house is another statue as
large as the others, made of gansa, or mixed metal of copper and lead,
of which the current money of the country is composed, and this idol has
a crown on its head as rich and splendid as the others. All this
valuable treasure is freely seen by all who please to go in and look at
it, as the gates are always open, and the keepers do not refuse
admission to any one.

Every year the king of Pegu makes a public triumph after the following
manner. He rides out on a triumphal car or great waggon, richly gilded
all over, and of great height, covered by a splendid canopy, and drawn
by sixteen horses, richly caparisoned. Behind the car walk twenty of his
nobles or chief officers, each of whom holds the end of a rope, the
other end being fastened to the car to keep it upright and prevent it
from falling over. The king sits on high in the middle of the car, and
on the same are four of his most favoured nobles surrounding him. Before
the car the whole army marches in order, and the whole nobles of the
kingdom are round about the car; so that it is wonderful to behold so
many people and so much riches all in such good order, especially
considering how barbarous are the people. The king of Pegu has one
principal wife, who lives in a seraglio along with 300 concubines, and
he is said to have 90 children. He sits every day in person to hear the
suits of his people, yet he nor they never speak together. The king
sits up aloft on a high seat or tribunal in a great hall, and lower down
sit all his barons round about. Those that demand audience enter into
the great court or hall in presence of the king, and sit down on the
ground at forty paces from the king, holding their supplications in
their hands, written on the leaves of a tree three quarters of a yard
long and two fingers broad, on which the letters are written or
inscribed by means of a sharp stile or pointed iron. On these occasions
there is no respe