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The Project Gutenberg eBook, Open Source Democracy, by Douglas Rushkoff This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net ** This is a COPYRIGHTED Project Gutenberg eBook, Details Below ** ** Please follow the copyright guidelines in this file. ** Copyright (C) 2003 by Douglas Rushkoff. Title: Open Source Democracy Author: Douglas Rushkoff Release Date: January 20, 2004 [eBook #10753] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK OPEN SOURCE DEMOCRACY*** Copyright (C) 2003 by Douglas Rushkoff. This Project Gutenberg is also available online at: http://www.demos.co.uk/catalogue/opensourcedemocracy_page292.aspx This eBook is available under the Demos Open Access License, which appears at the end of this text and online at: http://www.demos.co.uk/aboutus/licence_page295.aspx Title page: Open Source Democracy How online communication is changing offline politics by Douglas Rushkoff Acknowledgements Thanks to Tom Bentley and everyone at Demos for the opportunity to extend this inquiry to a new community of thinkers. Thanks also to my editorial assistant, Brooke Belisle, and to colleagues including Andrew Shapiro, Steven Johnson, Ted Byfield, Richard Barbrook, David Bennahum, Red Burns, Eugenie Furniss and Lance Strate. Introduction The emergence of the interactive mediaspace may offer a new model for cooperation. Although it may have disappointed many in the technology industry, the rise of interactive media, the birth of a new medium, the battle to control it and the downfall of the first victorious camp, taught us a lot about the relationship of ideas to the media through which they are disseminated. Those who witnessed, or better, have participated in the development of the interactive mediaspace have a very new understanding of the way that cultural narratives are developed, monopolised and challenged. And this knowledge extends, by allegory and experience, to areas far beyond digital culture, to the broader challenges of our time. As the world confronts the impact of globalism, newly revitalised threats of fundamentalism, and the emergence of seemingly irrec
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