tural, after such an exhibition, that Philip
Egmont should accept his character of renegade, and confess his intention
of reconciling himself with the murderers of his father. On the contrary,
he addressed a letter to the magistracy of Brussels, denying with
vehemence "any intention of joining the party of the pernicious
Spaniards," warmly protesting his zeal and affection for the states, and
denouncing the "perverse inventors of these calumnies against him as the
worst enemies of the poor afflicted country." The magistrates replied by
expressing their inability to comprehend how the Count, who had suffered
villainous wrongs from the Spaniards, such as he could never sufficiently
deplore or avenge, should ever be willing to enslave himself, to those
tyrants. Nevertheless, exactly at the moment of this correspondence,
Egmont was in close negotiation with Spain, having fifteen days before
the date of his letter to the Brussels senate, conveyed to Parma his
resolution to "embrace the cause of his Majesty and the ancient
religion"--an intention which he vaunted himself to have proved "by
cutting the throats of three companies of states' soldiers at Nivelle,
Grandmont, and Ninove." Parma had already written to communicate the
intelligence to the King, and to beg encouragement for the Count. In
September, the monarch wrote a letter to Egmont, full of gratitude and
promises, to which the Count replied by expressing lively gratification
that his Majesty was pleased with his little services, by avowing
profound attachment to Church and King, and by asking eagerly for money,
together with the government of Alost. He soon became singularly
importunate for rewards and promotion, demanding, among other posts, the
command of the "band of ordnance," which had been his father's. Parma, in
reply, was prodigal of promises, reminding the young noble "that he was
serving a sovereign who well knew how to reward the distinguished
exploits of his subjects." Such was the language of Philip the Second and
his Governor to the son of the headless hero of Saint Quentin; such was
the fawning obsequiousness with which Egmont could kiss that royal hand
reeking with his father's blood.

Meanwhile the siege of Maestricht had been advancing with steady
precision. To military minds of that epoch--perhaps of later ages--this
achievement of Parma seemed a masterpiece of art. The city commanded the
Upper Meuse, and was the gate into Germany. It contained thi