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al, who was not in the slightest degree embarrassed. I might go on forever telling about him, but enough, perhaps, has been already said. The commencement of the new year, 1715, was marked by the death of Fenelon, at Cambrai, where he had lived in disgrace so many years. I have already said something about him, so that I have now but little to add. His life at Cambrai was remarkable for the assiduity with which he attended to the spiritual and temporal wants of his flock. He was indefatigable in the discharge of his functions, and in endeavouring to gain all hearts. Cambrai is a place much frequented; through which many people pass. During the war the number of wounded soldiers he had received into his house or attended to in the hospitals passes all belief. He spared nothing for them, neither physical comforts nor spiritual consolations. Thus it is incredible to what an extent he became the idol of the whole army. His manners, to high and low, were most affable, yet everywhere he was the prelate, the gentleman, the author of "Telemachus." He ruled his diocese with a gentle hand, in no way meddled with the Jansenists; he left all untouched. Take him for all in all, he had a bright genius and was a great man. His admiration true or feigned for Madame Guyon remained to the last, yet always without suspicion of impropriety. He had so exactly arranged his affairs that he died without money, and yet without owing a sou to anybody. ETEXT EDITOR'S BOOKMARKS: Admit our ignorance, and not to give fictions and inventions Arranged his affairs that he died without money For penance: "we must make our servants fast" The argument of interest is the best of all with monks End of the Project Gutenberg EBook of The Memoirs of Louis XIV., Volume 9 by Duc de Saint-Simon *** END OF THIS PROJECT GUTENBERG EBOOK THE MEMOIRS OF LOUIS XIV., *** ***** This file should be named 3868.txt or 3868.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/3/8/6/3868/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in t
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