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ch all modes of dancing shall have fair play, but country-dances shall have their full share. _The Rev. Dr. Opimian._ I rejoice in the prospect. I shall be glad to see the young dancing as if they were young. _Miss Ilex._ The variety of the game called tredrille--the Ombre of Pope's _Rape of the Lock_--is a pleasant game for three. Pope had many opportunities of seeing it played, yet he has not described it correctly; and I do not know that this has been observed. _The Rev. Dr. Opimian._ Indeed, I never observed it. I shall be glad to know how it is so. _Miss Ilex._ Quadrille is played with forty cards: tredrille usually with thirty: sometimes, as in Pope's Ombre, with twenty-seven. In forty cards, the number of trumps is eleven in the black suits, twelve in the red:{1} in thirty, nine in all suits alike.{2} In twenty-seven, they cannot be more than nine in one suit, and eight in the other three. In Pope's Ombre spades are trumps, and the number is eleven: the number which they would be if the cards were forty. If you follow his description carefully, you will find it to be so. 1 Nine cards in the black, and ten in the red suits, in addition to the aces of spades and clubs, Spadille and Basto, which are trumps in all suits. 2 Seven cards in each of the four suits in addition to Spadille and Basto. _Mr. MacBorrowdale._ Why, then, we can only say, as a great philosopher said on another occasion: The description is sufficient 'to impose on the degree of attention with which poetry is read.' _Miss Ilex._ It is a pity it should be so. Truth to Nature is essential to poetry. Few may perceive an inaccuracy: but to those who do, it causes a great diminution, if not a total destruction, of pleasure in perusal. Shakespeare never makes a flower blossom out of season. Wordsworth, Coleridge, and Southey are true to Nature in this and in all other respects: even in their wildest imaginings. _The Rev. Dr. Opimian._ Yet here is a combination by one of our greatest poets, of flowers that never blossom in the same season-- Bring the rathe primrose, that forsaken dies, The tufted crow-toe and pale jessamine, The white pink, and the pansie freakt with jet, The glowing violet, The musk-rose, and the well-attired woodbine, With cowslips wan, that hang the pensive head, And every flower that sad embroidery wears:
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