ner, of
course his good humour was not improved by the intelligence. He was in
the habit of scolding her till she wept; he married seven months after
her death, and, from all that is known of him, appears to have been a
bad husband. I suspect that Laura paid dearly for her poet's idolatry.

No incidents of Petrarch's life have been transmitted to us for the
first year or two after his attachment to Laura commenced. He seems to
have continued at Avignon, prosecuting his studies and feeding his
passion.

James Colonna, his friend and patron, was promoted in 1328 to the
bishopric of Lombes in Gascony; and in the year 1330 he went from
Avignon to take possession of his diocese, and invited Petrarch to
accompany him to his residence. No invitation could be more acceptable
to our poet: they set out at the end of March, 1330. In order to reach
Lombes, it was necessary to cross the whole of Languedoc, and to pass
through Montpelier, Narbonne, and Toulouse. Petrarch already knew
Montpelier, where he had, or ought to have, studied the law for four
years.

Full of enthusiasm for Rome, Petrarch was rejoiced to find at Narbonne
the city which had been the first Roman colony planted among the Gauls.
This colony had been formed entirely of Roman citizens, and, in order to
reconcile them to their exile, the city was built like a little image of
Rome. It had its capital, its baths, arches, and fountains; all which
works were worthy of the Roman name. In passing through Narbonne,
Petrarch discovered a number of ancient monuments and inscriptions.

Our travellers thence proceeded to Toulouse, where they passed several
days. This city, which was known even before the foundation of Rome, is
called, in some ancient Roman acts, "Roma Garumnae." It was famous in the
classical ages for cultivating literature. After the fall of the Roman
empire, the successive incursions of the Visigoths, the Saracens, and
the Normans, for a long time silenced the Muses at Toulouse; but they
returned to their favourite haunt after ages of barbarism had passed
away. De Sade says, that what is termed Provencal poetry was much more
cultivated by the Languedocians than by the Provencals, properly so
called. The city of Toulouse was considered as the principal seat of
this earliest modern poetry, which was carried to perfection in the
twelfth and thirteenth centuries, under the patronage of the Counts of
Toulouse, particularly Raimond V., and his son, Raimond VI.