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wn almost unchanged to our times; for we have but two modes, major and minor, which are used on every pitch, constituting various keys. These Greek modes are the basis on which all our modern ideas of tonality rest; for our major mode is simply the Greek Lydian, and our minor mode the Aeolian. LIST OF NOTES IN THE GREEK SCALE disjunct Aeolian. [G: a'] +- A. Nete, or highest. ---+ Hypophrygian. +-| G. Paranete, next highest. | Hypolydian. +-| | F. Trite, third. | Dorian. +-| | | E. Nete, highest. ---+ conjunct Phrygian. +-| | | | D. Paranete, next highest. ---+ ---+ Lydian. +-| | | | | C. Trite, third. | | Mixolydian. +-| | | | | | B. Paramese, next to central tone | | | | | | | | +- A. Mese, central tone. ---+ ===+ | | | | | +--- G. Lichanos, index finger. | | | | | +----- F. Parhypate, next to lowest. | | | | +------- E. Hypate, lowest. ===+ | | +--------- D. Lichanos, index. | | +----------- C. Parhypate, next to lowest. | +------------- B. Hypate, lowest. ---+ [F: a,] A. Proslambanomenos, added tone. To go into detailed explanation of the Greek enharmonic and chromatic pitch will scarcely be worth while, and I will therefore merely add that the instruments were sometimes tuned differently, either to relieve the inevitable monotony of this purely diatonic scale or for purposes of modulation. A Dorian tetrachord is composed of semitone, tone, tone; to make it chromatic, it was changed as follows: [G: e' f' g-' a'] the _lichanos_, or index finger string, being lowered a semitone. The enharmonic pitch consisted of tuning the _lichanos_ down still further, almost a quarter-tone below the second string, or _parhypate_, thus making the tetrachord run quarter-tone, quarter-tone, two tones. Besides this, even in the diatonic, the Greeks used what they called soft intervals; for example, when the tetrachord, instead of proceeding by semitone, tone, tone (which system was called the hard diatonic), was tuned to semitone, three-quarter-tone, and tone and a quarter. The chromatic pitch also had several forms, necessitating the use
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