reed variety. The oldest known mention of them dates from
650 A.D., when the name applied is _calamus_ (reed); later the
names _shalmei_ (_chalumeau_, "straw," from German _halm_) and
_shawm_ were used. These instruments were played by means of a
bell-shaped mouthpiece, the double reed being fixed inside the
tube. It was not until toward the end of the sixteenth century
that the bell-shaped mouthpiece was dispensed with and the reed
brought directly to the lips, thus giving the player greater
power of expression. The oboe is a representative type of the
higher pitched double-reed instruments. In its present shape it
is about two hundred years old. As the deeper toned instruments
were necessarily very long, six to eight and even ten feet,
an assistant had to walk before the performer, holding the
tube on his shoulder. This inconvenience led to bending the
tube back on itself, making it look somewhat like a bundle of
sticks, hence the word _faggot_; although it is commonly known
in this country by the French name, _bassoon_. This manner of
arranging the instrument dates from about the year 1550. The
clarinet is an essentially modern instrument, the single
beating reed and cylindrical tube coming into use about 1700,
the invention of a German named Denner, who lived at Nuremberg.
All the brass instruments of the Middle Ages seem to have
been very short, therefore high in pitch. We remember that
the Romans had trumpets (chiefly used in signalling) called
_buccina_, and we may assume that the whole modern family of
brass instruments has descended from this primitive type. As
late as 1500, the hunting horn consisted of but one loop which
passed over the shoulder and around the body of the player.
A horn of from six to seven feet in length was first used
about 1650; and we know that, owing to the smallness of the
instruments and their consequent high pitch in those days, many
of Bach's scores contain parts absolutely impracticable for our
modern brass instruments. The division of these instruments
into classes, such as trumpets, horns, trombones, etc., is
due to the differences in shape, which in turn produce tones
of different quality. The large bore of the trombone gives
great volume to the tone, the small bore of the trumpet great
brilliancy, the medium bore of the horn veils the brilliancy
on one hand and lightens the thickness of tone on the other.
The horn, called _cor de chasse_, was first used in the
orchestra i
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