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reed variety. The oldest known mention of them dates from 650 A.D., when the name applied is _calamus_ (reed); later the names _shalmei_ (_chalumeau_, "straw," from German _halm_) and _shawm_ were used. These instruments were played by means of a bell-shaped mouthpiece, the double reed being fixed inside the tube. It was not until toward the end of the sixteenth century that the bell-shaped mouthpiece was dispensed with and the reed brought directly to the lips, thus giving the player greater power of expression. The oboe is a representative type of the higher pitched double-reed instruments. In its present shape it is about two hundred years old. As the deeper toned instruments were necessarily very long, six to eight and even ten feet, an assistant had to walk before the performer, holding the tube on his shoulder. This inconvenience led to bending the tube back on itself, making it look somewhat like a bundle of sticks, hence the word _faggot_; although it is commonly known in this country by the French name, _bassoon_. This manner of arranging the instrument dates from about the year 1550. The clarinet is an essentially modern instrument, the single beating reed and cylindrical tube coming into use about 1700, the invention of a German named Denner, who lived at Nuremberg. All the brass instruments of the Middle Ages seem to have been very short, therefore high in pitch. We remember that the Romans had trumpets (chiefly used in signalling) called _buccina_, and we may assume that the whole modern family of brass instruments has descended from this primitive type. As late as 1500, the hunting horn consisted of but one loop which passed over the shoulder and around the body of the player. A horn of from six to seven feet in length was first used about 1650; and we know that, owing to the smallness of the instruments and their consequent high pitch in those days, many of Bach's scores contain parts absolutely impracticable for our modern brass instruments. The division of these instruments into classes, such as trumpets, horns, trombones, etc., is due to the differences in shape, which in turn produce tones of different quality. The large bore of the trombone gives great volume to the tone, the small bore of the trumpet great brilliancy, the medium bore of the horn veils the brilliancy on one hand and lightens the thickness of tone on the other. The horn, called _cor de chasse_, was first used in the orchestra i
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