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passion to depart from beaten paths seizes us it is very easy to make mistakes. Therefore to the housekeeper, accustomed to conventional china, but weary of it, we would commend as a safe departure, modern Wedgwood and Italian reproductions of classic models, which come in exquisite shapes and in a delicious soft cream tone. If one prefers, it is possible to get these varieties decorated with charming designs in artistic colourings, as previously stated. For eating meals out of doors, or in "sun-rooms," where the light is strong, the dark peasant pottery, like Brittany, Italian and Hungarian, is very effective on dull-blue linen, heavy cream linen or coarse lace, such as the peasants make. Copper lustre, with its dark metallic surface; is enchanting on dark wood or coloured linen of the right tone. Your table must be a _picture_ composed on artistic lines. That is, it must combine harmony of line and colour and above all, appropriateness. Gradually one acquires skill in inventing unusual effects; but only the adept can go against established rules of art and yet produce a pleasing _ensemble_. We can all recall exceptions to this rule for simplicity, beautiful, artistic tables, covered with rare and entrancing objects,--irrelevant, but delighting the eye. Some will instantly recall Clyde Fitch's dinners in this connection, but here let us emphasise the dictum that for a great master of the art of decoration there need be no laws. A careful study of the Japanese principles of decoration is an ideal way of learning the art of simplicity. It is impossible to deny the immense decorative value of a single _objet d'art_, as one flower in a simple vase, provided it is given the correct background. Background in decoration is like a pedal-point in music; it must support the whole fabric, whether you are planning a house, a room or a table. PLATE XXIX Shows how a too pronounced rug which is out of character, though a valuable Chinese antique, can destroy the harmony of a composition even where the stage is set with treasures; Louis XV chairs, antique fount with growing plants, candelabra, rare tapestry, reflected by mirror, and a graceful console and a settee with grey-green brocade cushions. [Illustration: _Example of a Charming Hall Spoiled by Too Pronounced a Rug_] CHAPTER XXXVII WHAT TO AVOID IN INTERIOR DECORATION: RULES FOR BEGINNERS We all know the saying th
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