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rchese di San Giacinto; while the younger girl, the fair, brown-eyed Faustina, loved a poor Frenchman, half soldier and all artist. The weak, good-natured Ascanio Bellegra reigns in his father's stead, the timidly extravagant master of all that wealth which the miser's lean and crooked fingers had consigned to a safe keeping. Frangipani too, whose son was to have married Faustina, is gone these many years, and others of the older and graver sort have learned the great secret from the lips of death. But there have been other and greater deaths, beside which the mortality of a whole society of noblemen sinks into insignificance. An empire is dead and another has arisen in the din of a vast war, begotten in bloodshed, brought forth in strife, baptized with fire. The France we knew is gone, and the French Republic writes "Liberty, Fraternity, Equality" in great red letters above the gate of its habitation, which within is yet hung with mourning. Out of the nest of kings and princes and princelings, and of all manner of rulers great and small, rises the solitary eagle of the new German Empire and hangs on black wings between sky and earth, not striking again, but always ready, a vision of armed peace, a terror, a problem--perhaps a warning. Old Rome is dead, too, never to be old Rome again. The last breath has been breathed, the aged eyes are closed for ever, corruption has done its work, and the grand skeleton lies bleaching upon seven hills, half covered with the piecemeal stucco of a modern architectural body. The result is satisfactory to those who have brought it about, if not to the rest of the world. The sepulchre of old Rome is the new capital of united Italy. The three chief actors are dead also--the man of heart, the man of action and the man of wit, the good, the brave and, the cunning, the Pope, the King and the Cardinal--Pius the Ninth, Victor Emmanuel the Second, Giacomo Antonelli. Rome saw them all dead. In a poor chamber of the Vatican, upon a simple bed, beside which burned two waxen torches in the cold morning light, lay the body of the man whom none had loved and many had feared, clothed in the violet robe of the cardinal-deacon. The keen face was drawn up on one side with a strange look of mingled pity and contempt. The delicate, thin hands were clasped together on the breast. The chilly light fell upon the dead features, the silken robe and the stone floor. A single servant in a shabby livery sto
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