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ull crop seem to have difficulty in managing their mouths. Some draw in their lips with that air of unnatural sternness observable in rough weather among passengers on board ship, just before they relinquish the struggle and retire from public life. Others contract their mouths to the shape of a heart, while there are yet others who lose control of the pendant lower lip and are content to look like idiots, while expecting the hairy growth which is to make them look like men. Orsino had chosen the least objectionable idiosyncrasy and had elected to be of a stern countenance. When he forgot himself he was singularly handsome, and Gouache lay in wait for his moments of forgetfulness. "You are quite right," said the Frenchman. "From the classic point of view your mother was and is the most beautiful dark woman in the world. For myself--well in the first place, you are her son, and secondly I am an artist and not a critic. The painter's tongue is his brush and his words are colours." "What were you going to say about my mother?" asked Orsino with some curiosity. "Oh--nothing. Well, if you must hear it, the Princess represents my classical ideal, but not my personal ideal. I have admired some one else more." "Donna Faustina?" enquired Orsino. "Ah well, my friend--she is my wife, you see. That always makes a great difference in the degree of admiration--" "Generally in the opposite direction," Orsino observed in a tone of elderly unbelief. Gouache had just put his brush into his mouth and held it between his teeth as a poodle carries a stick, while he used his thumb on the canvas. The modern painter paints with everything, not excepting his fingers. He glanced at his model and then at his work, and got his effect before he answered. "You are very hard upon marriage," he said quietly. "Have you tried it?" "Not yet. I will wait as long as possible, before I do. It is not every one who has your luck." "There was something more than luck in my marriage. We loved each other, it is true, but there were difficulties--you have no idea what difficulties there were. But Faustina was brave and I caught a little courage from her. Do you know that when the Serristori barracks were blown up she ran out alone to find me merely because she thought I might have been killed? I found her in the ruins, praying for me. It was sublime." "I have heard that. She was very brave--" "And I a poor Zonave--and a poorer painter
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