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The Project Gutenberg EBook of Contemporary American Novelists (1900-1920) by Carl Van Doren This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Contemporary American Novelists (1900-1920) Author: Carl Van Doren Release Date: June 8, 2004 [EBook #12563] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK CONTEMPORARY AMERICAN NOVELISTS *** Produced by Ted Garvin, Linda Cantoni, and the Online Distributed Proofreading Team. CONTEMPORARY AMERICAN NOVELISTS 1900-1920 BY CARL VAN DOREN 1922 To FREDA KIRCHWEY PREFACE _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century. Readers of both volumes may note that in this later volume criticism has tended to supplant history. Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective. In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time. All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them. Whatever general tendency there may be ought to appear from his examination. The general tendency appearing most clearly among the novelists here studied is, of course, the drift of naturalism: initiated a full generation ago by several restless spirits, of whom E.W. Howe and Hamlin Garland are the most conspicuous survivors; continued by those young geniuses Stephen Crane, Frank Norris, Jack London, all dead before their time, and by Theodore Dr
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