win Arlington
Robinson has best expressed in words as firm as bronze the Master's
reputation for lonely pride and forgiving laughter; John Gould Fletcher,
with an eloquence found nowhere else in his work, likens Lincoln to a
tree so mighty that its branches reach the heavens and its roots the
primal rock and nations of men may rest in its shade; Edgar Lee Masters,
whose work is full of the shadow and light of Lincoln, has made his most
moving lyric an epitaph upon Ann Rutledge, the girl Lincoln loved and
lost; and Vachel Lindsay, in Lincoln's own Springfield, during the World
War thought of him as so stirred even in death by the horrors which then
alarmed the universe that he could not sleep but walked up and down the
midnight streets, mourning and brooding. It is precisely thus, in other
ages, that saints are said to appear at difficult moments, to quiet the
waves or turn the arrow aside. Without these more vulgar manifestations
Lincoln nevertheless lives as the founder of every cult lives, in the
echoes of his voice on many tongues and in the vibrations of his voice
in many affections.

The novelists, unfortunately, fall behind the poets in the beauty and
wisdom with which they celebrate the figure of Lincoln, though they have
produced scores of volumes associated with it, upon the life not only of
Lincoln himself but of his mother, of his children, of this or that
friend or neighbor. Of the various novels--from Winston Churchill's _The
Crisis_ to Irving Bacheller's _A Man for the Ages_--which have sought to
mingle the right proportions of rural shrewdness and honorable dignity,
no one has yet been equal to the magnitude of its theme. They have
followed the customary paths of the historical romance without seeming
to realize that in a theme so spacious they could learn from the methods
of Plato with Socrates, of Shakespeare with his kingly heroes, of the
biographers of Francis of Assisi with their gracious saint.

Few literary tasks are harder than the task of the critic holding a
steady course through the welter of novels which make a tumult in the
world and trying to indicate those which have some genuine significance
as works of art or intelligence or as documents upon the time. How shall
he dispose, for example, of such beguilers of the millions as Gene
Stratton Porter, who piles sentimentalism upon "Nature" till the soft
heap defies analysis, and Harold Bell Wright, who cannily mixes
sentimentalism with valor an