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wly back. 'What is that--there?' he said almost menacingly, standing with bloodshot eyes looking down upon Herbert. '"That!"--what?' said Herbert, glancing up startled from his book. 'Why, what's wrong, Lawford?' 'That,' said Lawford sullenly, yet with a faintly mournful cadence in his voice; 'those fields and that old empty farm--that village over there? Why did you bring me here?' Grisel had not stirred. 'The village...' 'Ssh!' she said, catching her brother's sleeve; 'that's Detcham, yes, Detcham.' Lawford turned wide vacant eyes on her. He shook his head and shuddered. 'No, no; not Detcham. I know it; I know it; but it has gone out of my mind. Not Detcham; I've been there before; don't look at me. Horrible, horrible. It takes me back--I can't think. I stood there, trying, trying; it's all in a blur. Don't ask me--a dream.' Grisel leaned forward and touched his hand. 'Don't think; don't even try. Why should you? We can't; we MUSTN'T go back.' Lawford, still gazing fixedly, turned again a darkened face towards the steep of the hill. 'I think, you know,' he said, stooping and whispering, 'HE would know--the window and the sun and the singing. And oh, of course it was too late. You understand--too late. And once... you can't go back; oh no. You won't leave me? You see, if you go, it would only be all. I could not be quite so alone. But Detcham--Detcham? perhaps you will not trust me--tell me? That was not the name.' He shuddered violently and turned dog-like beseeching eyes. 'To-morrow--yes, to-morrow,' he said, 'I will promise anything if you will not leave me now. Once--' But again the thread running so faintly through that inextricable maze of memory eluded him. 'So long as you won't leave me now!' he implored her. She was vainly trying to win back her composure, and could not answer him at once.... In the evening after supper Grisel sat her guest down in front of a big wood fire in the old book-room, where, staring into the playing flames, he could fall at peace into the almost motionless reverie which he seemed merely to harass and weary himself by trying to disperse. She opened the little piano at the far end of the room and played on and on as fancy led--Chopin and Beethoven, a fugue from Bach, and lovely forlorn old English airs, till the music seemed not only a voice persuading, pondering, and lamenting, but gathered about itself the hollow surge of the water and the darkness; wistful and
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