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n's and her own with equal clearness. The sound of voices from a neighboring cabin, followed by the noise of unskillful footsteps stumbling up a companion ladder, warned them that they were not alone. Mr. Manby appeared on deck with great noise and circumstance, skating, struggling, clutching at impossible supports, being much hampered by a camp stool and a sketching block which he carried, and his own legs, which seemed hardly equal to carrying him. Durant had recognized in the little artist a familiar type. A small, nervous man, attired in the usual threadbare gray trousers, the usual seedy velveteen coat and slouch hat, with a great deal of grizzled hair tumbling in the usual disorder about his peaked and peevish face. Durant sprang forward and helped this pitiful figure to find its legs; not with purely benevolent intentions, he settled it and its belongings in a secure (and remote) position amidships. "Glad to see you back again!" Frida sang out. Mr. Manby screwed up his eyes, put his head very much on one side, and peered into the wild face of Nature with a pale, propitiatory smile. "Yes, yes; I mustn't neglect my opportunities. Every minute of this weather is invaluable." "It strikes me," said Frida, as Durant established himself beside her again, "that it's you artists whose devotion to Nature is--well--not altogether disinterested." "Manby's affection seems to be pretty sincere; it stands the test of seasickness." "Oh, Mr. Manby doesn't really care very much for nature or for art either." "What does he try to paint pictures for, then?" "He tries to paint them for a living, for himself and the little girls." And Frida looked tenderly at Mr. Manby as she spoke. At that moment Durant hated Mr. Manby with a deadly hatred. He had gone so far as to find a malignant satisfaction in the thought that Mr. Manby's pictures were bad, when he remembered that Frida had a weakness for bad pictures. Art did not appeal to Frida. She talked about Paris and Florence and Rome without a word of the Louvre or the Uffizi Gallery or the Vatican. She didn't care a rap about Raphael or Rubens, but she hampered herself with Manbys. "Is there a Mrs. Manby?" he asked gloomily. "No. Mrs. Manby died last year." "H'mph! Poor devil! Lucky for her, though." Frida ignored the implication. "To go back to the point we were discussing. If you were honest you'd own that you only care for nature because you can make
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