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er gown, the gold sleeve-links at her wrists, the specks of brine that glistened on her temples under the wind-woven strands of her black hair; it recorded these things and remembered them afterward. And all the time the boat came nearer, and the slow, steady stroke of the oars measured his hour by minutes, till the sweat, sprung from the labor and passion of his nerves, stood out in beads on his forehead. He looked at her; and her beauty, the beauty born of her freedom and abounding life, the beauty he worshiped, was implacable; the divinity in it remained untouched by his desire. "You needn't care," he said desperately. "I'm not asking you to care; I'm not asking you to give me your love, but only to take mine." She smiled. "I'm not so dishonest as to borrow what I can't repay." His voice was monotonous in its iteration. "I'm not talking about repayment; I'll risk that. I don't want you to borrow it. I want you to take it, keep it, spend it any way you like, and--throw it away when you can't do anything more with it." "And never return it? Ah, my friend! we can't do these things." She dropped into the deck-chair, exhausted with the discussion. Her brow was heavy with thought; she was still racking her brains to find some argument that would appease him. "I loved you--yes. And in my own way I love you now, if you could only be content with my way." "Haven't you told me that your way is not my way?" "Yes; and I've done worse than that. I've been talking to you as if you had made me suffer tortures, as if you had brought me all the pain of existence instead of all the pleasure. If you only knew! There's nothing I've been enjoying all these five years that I don't owe to you--to you and nobody else. You were very good to me even at the first; and afterward--well, I believe I love life as few women can love it, and it came to me through you. Do you think I can ever forget that? Forget what I owe you? You stood by me and showed me the way out; you stood by and opened the door of the world." To stand by and open the door for her--it was all he was good for. In other words, she had made use of him. Well, had he not proposed to make use of her? After all, in what did his view of her differ from the Colonel's, which he abominated? All along, from the very first, it had been the old theory of the woman for the man. Frida for the Colonel's use, for his (Durant's) amusement, and now for his possession. Under
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