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and to solve the Irish Question, she must begin by breaking the hard shell of her individualism, and trying to think herself into the skin, the soul, and the ideals of the Irish nation. Now the English reader is after all human. If he has endured so far the outrage on his most sacred prejudices perpetrated in this chapter he must at this moment be hot with resentment. He must feel as if, proposing to his imagination Pear de Melba, he had in truth swallowed sand. Let me end with a more comfortable word. We have seen that Irish history is what the dramatists call an internal tragedy, the secular disclosure and slow working-out of certain flaws in the English character. I am not to be understood as ascribing horns to England and a halo to Ireland. We Irish are not only imperfect but even modest; for every beam that we detect in another eye we are willing to confess a mote in our own. The English on the other hand have been not monsters or demons, but men unstrung. "In tragic life, God wot, No villain need be, passions spin the plot; We are betrayed by what is false within." Least of all am I to be understood as ascribing to modern Englishmen any sort of planned, aforethought malice in regard to Ireland. It is what Bacon might have called a mere idol of the platform to suppose that they are filled with a burning desire to oppress Ireland. The dream of their lives is to ignore her, to eliminate from their calculations this variable constant which sheds bewilderment upon every problem. Could they but succeed in that, a very Sabbath of peace would have dawned for them. The modern Englishman is too much worried to plan the oppression of anybody. "Did you ever," asked Lord Salisbury on a remembered occasion, "have a boil on your neck?" To the Englishman of 1911--that troubled man whose old self-sufficiency has in our own time been shattered beyond repair by Boer rifles, German shipyards, French aeroplanes--Ireland is the boil on the neck of his political system. It is the one _peche de jeunesse_ of his nation that will not sleep in the grave of the past. Like the ghost in "Hamlet" it pursues and plagues him without respite. Shunned on the battlements it invades his most private chamber, or, finding him in talk with friends, shames and scares him with subterranean mutterings. Is there no way out of a situation so troublesome and humiliating? There is. Ireland cannot be ignored, but she can easily be appeased.
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